Color by Numbers

The English edition of Liu Lihong’s milestone work is a sublime beacon for the profession of Chinese medicine in the 21st century. Classical Chinese Medicine delivers a straightforward critique of the politically motivated “integration” of traditional Chinese wisdom with Western science during the last sixty years, and represents an ardent appeal for the recognition of Chinese medicine as a science in its own right. Professor Liu’s candid presentation has made this book a bestseller in China, treasured not only by medical students and doctors, but by vast numbers of non-professionals who long for a state of health and well-being that is founded in a deeper sense of cultural identity. Oriental medicine education has made great strides in the West since the 1970s, but clear guidelines regarding the “traditional” nature of Traditional Chinese Medicine (TCM) remain undefined. Classical Chinese Medicine not only delineates the educational and clinical problems faced by the profession in bo

Gods and Goddesses are not always perfect, what did Chang E do to have herself ending up alone on the moon? And do you know that Yi the Great Archer did more than just shooting down nine suns? My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

The Glasgow Climate Pact signed on the 26th Conference of the Parties of United Nations Framework Convention on Climate Change in 2021, saws representatives' determination for carbon neutrality by 2050. Meanwhile, "Net Zero by 2050: a Roadmap for the Global Energy Sector" proposed by International Energy Agency has suggested hydrogen as a decarbonization technology in various fields. As a clean, stable power with diverse sources, hydrogen provides a promising solution for energy, industry, and transportation, making hydrogen economy a prominent international topic, prompted developed countries actively investing in hydrogen technologies, setting out development pathways, offering policies and subsidies for short, mid and long-term goals. With net-zero by 2050 commitment, Taiwan introduced its goals in 2021, followed by "Taiwan's Pathway to Net-Zero Emissions in 2050" proposed by the National Development Council in 2022, unveiling a cross-ministerial aggregate strategy. Among its twelve

Tripitaka and his three disciples, Monkey, Pigsy, and Sandy, were chosen to undertake a pilgrimage to India, during which they came across all sorts of dangers and difficulties. This time, the Flaming Mountain blocked their way, and they needed a little help from the Princess Iron Fan and Bull Demon, well, parents of the Red Boy, who wanted to eat up Tripitaka and was just defeated by Monkey. Things never go smooth for them! My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

The Dragon King below the Jing River defied the orders of the Jade God of the Heavens and was executed. His ghost resented the Tang Emperor Taizong for not saving him, and dragged the Emperor to the Underworld. What would the Emperor see in the Underworld? Was he able to return to life? My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

Evolution of language has evolved at multiple levels—from changes in the cognitive processes by which language is acquired in the individual, to language change by diffusion of acquired linguistic features across populations of individuals, to the emergence of linguistic features over phylogenetic time scales. Evolution of language at each of these levels interacts with that at each other level. This volume is a collection of essays by noted researchers from diverse fields that deals with a broad spectrum of issues in the study of language evolution. The principle topics addressed here include: the genetic and cognitive bases for the phylogenetic emergence of language; several distinct accounts of the underlying cognitive processes by which children learn to acquire language; a critique of the methods employed by historical linguists in the last century; the modeling of language evolution using mathematical and computational techniques; discussions on the complexity of language.

This book is the result of discoveries made by Nivison beginning in 1979, It uses critically (without superseding) his monographs from 1983 through 2002, combined with his discoveries through 2008. Its main thrust is to show that the methods and results of the PRC “Three Dynasties Project” are invalid, and that recovering chronology before 841 BCE can be solved only by using the supposedly spurious Jinben Zhushu Jinian (“Modern Text” Bamboo Annals), combined with hypothesis that reign lengths of record were normally the years after completion of mourning for the preceding king. Part One presents resulting exact dates form the beginning of Xia, confirmed by discoveries in astronomy by D. W. Pankenier and Kevin Pang. Part Two criticizes the Three-years Dynasties Project and argues for the post-mourning hypothesis and the high antiquity of the three-years mourning institution. In Part Three, applying a discovery by E. L. Shaughnessy, the author reconstructs the first 303 bamboo strips of

In this region, medium streams sloppily freeze, except before an imminent severe snowstorm. — LIFE AND DEATH OF SNOW Originally written back in 1991, the first half, five short stories, remains special, being inspired by experiences of growing up, travel, and interactions with the animal world, even the eponymous centipede did exist! As for the poems (written circa 1978 – 86), some of these were motivated by the Sino-British talks and Hong Kong’s uncertain future, not to mention the astronomical interest associated with another group gripped by the enthusiasm aroused by planetary exploration. The others turn over themes of nature and life. Note: In the first story, the region depicted has been administratively incorporated into the new Uonuma city. Slow business has led to shorter ski season and the shutting of lesser-known ski grounds.

目錄 孤獨者的樂園 文／王永成 A Paradise for the Lonely One／TEXT BY WANG YUNG-CHENG 內空間的旅行　文／許遠達 A Journey into the Inner Space／TEXT BY HSU YUE NTA 作者／李昆霖簡歷 Lee Kuen-lin

This publication accompanies an unprecedented exhibition highlighting four of the magnificent chinoiserie tapestries of Chinese Emperor Qianlong, woven after designs by François Boucher at the famous Beauvais manufactory from 1758–1760. The large and well-preserved textiles form part of the royal French commission by King Louis XV, objects of which were presented to Qianlong in 1766. These celebrated tapestries are joined by another historic set of culturally related depictions in print—The Battles of the Emperor of China. The engravings were ordered by Qianlong, drawn by Jesuit painters at the Imperial Court in Beijing and then printed in Paris 1769–1774. The ‘culture’ of these prints follows King Louis XIV’s influential images of the Histoire du Roi and presents Qianlong as both a war hero and as the undisputed leader of China in the mid-eighteenth century. These depictions date to the exact same time period, one that coincides with the high demand for chinoiserie in France—culmina

By TraNews Reporter Wu, Guan Lin YILAN COUNTY, Taiwan (TraNews) - The cold weather is about to conquer by warm sunshine. Guishan Island in Yilan County has reopened on March 1 and is now available for tourists to apply access to the island.

Proportionality is a German, and thus continental European, concept in public law that is applied by both the Court of Justice of the European Union (CJEU) and the European Court of Human Rights (ECtHR). The principle specifies that measures adopted by executive authorities should not exceed the limits of what is appropriate and necessary in order to achieve legitimate objectives in the interest of the public. Using a functional comparative approach, this book evaluates the extent to which proportionality has been integrated into the English and Hong Kong judicial systems by comparing case law in these courts with that of the CJEU and the ECtHR. The text also reviews the development of proportionality and presents a topical understanding of why its adoption and application have encountered difficulties, particularly regarding socio-economic rights, in some jurisdictions, such as the United Kingdom and Hong Kong. Written by a scholar with experience from both within the Hong Kong judici

This book presents, for the first time in English, a collection of speeches delivered by Wen Jiabao, China’s Premier from 2003 to 2013, at the six successive Summer Davos Forums held in China from 2007 to 2012, his special address at the 2009 World Econom

Candlestick technical analysis is an old trading technique that tracks the short-term price movements by employing the relationship between open, high, low, and close prices. The purpose of this thesis is to examine the predictive power of candlestick trading strategies by using the Taiwan 151 component stocks daily data for the period from 2 January 1992 to 31 December 2009. The main contribution of this thesis is using a fourprice- level approach to categorize the single-line patterns constructed by candlestick charting in a systematical manner. The approach adopted in this thesis permits us to release for the limitation of recognition in a manner not previously possible. Moreover, we not only consider transaction costs and risk but also mitigate data-snooping problems conscientiously by several appropriate methods, including the bootstrap methodology and sub-sample and out-of-sample tests. We find evidence that four patterns are profitable for the Taiwan stock market after transacti

Sam, working as a trainee waiter in a small Italian restaurant near the West End of London, was one day fooled by a bohemian sort of man with a bad sort of logic that led to his dismissal by the head waitress. Feeling lost and trotting along Regent Street he bumped into his girl friend Amy who had just been through a similar scenario, and that made them both laugh away their ‘misfortune’ to start afresh. Sam decided to take a critical thinking course run by a certain Professor Panggloss, a name that rang a bell for him, recalling Voltaire’s famous novel Candide, and the course turned out to be very useful, albeit puzzling at times, which therefore troubled Sam quite a lot, so much so that he had to share his critical thinking problems with Amy, even when she was already away from the UK, holidaying at her aunt’s invitation in Hong Kong. The lovers, separated by at least six thousand miles, carried on their intimate communication using state-of-the-art IT, frequently disturbing each o

The Sublime Object of Orientalism proposes that globalised Asian physical cultural practices such as taiji, qigong, yoga, and meditation can be understood by examining the intimate connection between Western orientalism and the Romantic aesthetic notion of the sublime. The book recasts ‘orientalist physical culture’ as practices animated by the sublime and argues that this relationship is stronger than has hitherto been recognised by commentators. Bowman combines new readings of philosophers and cultural critics such as Slavoj Žižek and Jane Iwamura with analyses of film, media, and Asian physical practices and their entrepreneurial forms to shed light on the quest to articulate a philosophy of orientalist physical culture. He also explores ways to make sense of orientalist physical culture in the contemporary world and evaluate the often-problematic ideologies that circulate around these cultural practices without either uncritically accepting their value or rejecting them outright.

Tracing China’s journey began from exploring rural revolution and reconstitutions of community in South China. Spanning decades of rural-urban divide, it finally uncovers China’s global reach and Hong Kong’s cross-border dynamics. Helen Siu traverses physical and cultural landscapes to examine political tumults transforming into everyday lives, and fathom the depths of human drama amid China’s frenetic momentum toward modernity. Highlighting complicity, Siu portrays how villagers, urbanites, cadres, entrepreneurs, and intellectuals—laden with historical baggage—venture forward. But have they victimized themselves in the process? This essay collection, informed by critical social theories and shaped by careful scrutiny of fieldwork and archival texts, is woven by key historical/anthropological themes—culture, history, power, place-making, and identity formation. Siu stresses process and contingency and argues that culture and society are constructed through human actions with nuanced

In December 2008 some 350 Chinese intellectuals published a manifesto calling for reform of the Chinese constitution and an end to one-party rule. Known as 'charter 08,' the manifesto has since been signed by more than 10,000 people. One of its authors, Liu Xiaobo, was awarded the Nobel Peace Prize in 2010 but has remained in prison since 2009 for subversive crimes. This collection of essays -- the first of its kind in English -- examines the trial of Liu Xiaobo, the significance and impact of Charter 08, and the prospects for reform in China. The essays include contributions from legal and political experts from around the world, an account of Liu's trial by his defense lawyers, and a passionate -- and ultimately optimistic -- account of resistance, repression and political change by the human rights lawyer Teng Biao. -- P. [4] of cover.

Neijing is traditional Chinese medicine; it encompasses all the central tenets of Chinese medicine practised today. Neijing zhiyao, in two volumes, compiled by Li Zhong-zi of the Ming dynasty, was carefully proof-read by Xue Sheng-bai of the Qing dynasty. Among the hundred or so annotated editions of Neijing Suwen and Lingshu that appeared in different formats and styles in previous generations, only Neijing zhiyao compiled by Mr. Li Nian-er of the Ming dynasty is the most succinct but pithy. —— from Sibu Zonglu Yiyaobian 《內經知要》二卷,明．李中梓輯、清．薛生白重校。嘗考內經素問、靈樞,歷代註釋者不下百家,體裁各各不同。惟明．李念莪先生所輯《內經知要》最為簡當。——《四部總錄醫藥編》

The impressive array of penetrating analysis and provocative interpretations afforded by this volume’s 14 chapters sharpen appreciation of the ongoing transformations of China’s Hong Kong since 1997 and the possibilities embedded in its journey toward an integrative merger-convergence with the Mainland by 2047. A unique strength of this volume lies with the wide ranging views and divergent assessments offered by the chapter authors of different nationalities, varied experience, diverse academic/professional disciplines, and of competing ideo-political persuasions. Ten of them are leading academics (economist, historian, legalist, media scholar, political scientist, sociologist) well-published on Hong Kong topics while seven are seasoned practitioners on the cutting edge of Hong Kong’s development (as HKSAR official, legislator, Basic Law Committee member, business leader, think-tank expert, journalist, and US diplomat). They render this volume a profoundly pluralistic and multi-dimens

The Sinological Development Charitable Foundation (SDCF) aspires to help spread 5,000 years of cultural history embedded in the Chinese Classics as a fundamental basis for understanding Chinese civilization. To that end, every year since 2016, the SDCF has provided intensive summer programs by which means scholars from across the globe are brought together in situ (in Hong Kong, Macau, Taiwan, and mainland China) to learn together and share their research into some of the most important topics in Chinese Studies. Over the last five years (2016–2020), candidates representing nations from Africa, the Americas, Europe, the Middle East, Russia, and other parts of Asia have embraced the SDCF program and its goals. This compendium is published to mark the milestone of five comprehensive programs completed successfully. It includes a sample of the best research by program participants from around the world, along with personal reflections and reflections by professors and tutors allied with

內容簡介 ˙The learning goals that center on the thematic units are set in accordance with the language proficiency levels, established by the ACTFL ˙To Comply with the pedagogical principle of backward design to establish the teaching/learning goals for the intermediate learner of Chinese ˙Integrates into its thematic contents the ACTFL-defined, three mores of language uses as well the 5C concepts ˙Assist the learner to achieve holistic progress and to cultivate specific linguistic abilities of Chinese ˙The selecting of keywords/phrases in thetextbooks is greatly in line with vocabulary levels defined by the HSK and by the TOCFL. The regional difference in language uses between the two sides of theTaiwan Strait are also meticulously annotated in the textbooks In recent years, the background of learners has become diversified, and the number of self-study students of elementary Chinese is also increasing. On the pedagogical front, however, learning materials, found to be biased towards s

The crisis of masculinity surfaced and converged with the crisis of the nation in the late Qing, after the doors of China were forced open by Opium Wars. The power of physical aggression increasingly overshadowed literary attainments and became a new imperative of male honor in the late Qing and early Republican China. Afflicted with anxiety and indignation about their increasingly effeminate image as perceived by Western colonial powers, Chinese intellectuals strategically distanced themselves from the old literati and reassessed their positions vis-à-vis violence. In Mastery of Words and Swords: Negotiating Intellectual Masculinities in Modern China, 1890s–1930s, Jun Lei explores the formation and evolution of modern Chinese intellectual masculinities as constituted in racial, gender, and class discourses mediated by the West and Japan. This book brings to light a new area of interest in the “Man Question” within gender studies in which women have typically been the focus. To fully r

The origins of modern Daoism can be traced to the Church of the Heavenly Master (Tianshidao), reputedly established by the formidable Zhang Daoling. In 142 CE, according to Daoist tradition, Zhang was visited by the Lord on High, who named him his vicar on Earth with the title Heavenly Master. The dispensation articulated an eschatological vision of saving initiates—the pure, those destined to become immortals— by enforcing a strict moral code. Under evolving forms, Tianshidao has remained central to Chinese society, and Daoist priests have upheld their spiritual allegiance to Zhang, their now divinized founder. This book tells the story of the longue durée evolution of the Heavenly Master leadership and institution. Later hagiography credits Zhang Daoling’s great-grandson, putatively the fourth Heavenly Master, with settling the family at Longhushan (Dragon and Tiger Mountain); in time his descendants—down to the present contested sixty-fifth Heavenly Master living in Taiwan— made th

Empowered by Ancestors: Controversy over the Imperial Temple in Song China (960–1279) examines the enduring tension between cultural authority and political power in imperial China by inquiring into Song ritual debates over the Imperial Temple. During these debates, Song-educated elites utilized various discourses to rectify temple rituals in their own ways. In this process, political interests were less emphasized and even detached from ritual discussions. Meanwhile, Song scholars of particular schools developed various ritual theories that were used to reshape society in later periods. Hence, the Song ritual debates exemplified the great transmission of ancestral ritual norms from the top stratum of imperial court downward to society. In this book, the author attempts to provide a lens through which historians, anthropologists, experts in Chinese Classics, and scholars from other disciplines can explore Chinese ritual in its intellectual, social, and political forms.

The JINTIAN [今天] series of contemporary literature features new and innovative writing from mainland China and abroad. Titles in the series are edited by Bei Dao, Lydia H. Liu, and Christopher Mattison. A collaborative venture between Zephyr Press, the Jintian Literary Foundation, and The Chinese University Press, each bilingual title highlights the ever-changing literary culture of China while simultaneously expanding the English language with a wave of new voices in translation. “This collection of poems is an amazing clash of classical Chinese poetry, the New York School, postmodern cinema, and the inside of a singular heart-head. ‘Don’t worry. I’ve got no evidence here that can harm you,’ Ya Shi says, and it’s true, I’m not harmed by his tentative relationship with nature in his experimental sonnets, I’m not harmed by his dark humor or his fragmentary leaps into surprise. I’m too invested. Ya Shi deserves the ‘cardiac bang bang of literary fame’ he fears, and to Nick Admussen a

Having analysed the most common English errors made in over 600 academic papers written by Chinese undergraduates, postgraduates, and researchers, Steve Hart has written an essential, practical guide specifically for the native Chinese speaker on how to write good academic English. English Exposed: Common Mistakes Made by Chinese Speakers is divided into three main sections. The first section examines errors made with verbs, nouns, prepositions, and other grammatical classes of words. The second section focuses on problems of word choice. In addition to helping the reader find the right word, it provides instruction for selecting the right style too. The third section covers a variety of other areas essential for the academic writer, such as using punctuation, adding appropriate references, referring to tables and figures, and selecting among various English date and time phrases. Using English Exposed will allow a writer to produce material where content and ideas—not language mist

Most people suppose that the whole world knows what it is to love; that romantic love is universal, quintessentially human. Such a supposition has to be able to meet three challenges. It has to justify its underlying assumption that all cultures mean the same thing by the word ‘love’ regardless of language. It has to engage with the scholarly debate on whether or not romantic love was invented in Europe and is uniquely Western. And it must be able to explain why early twentieth-century Chinese writers claimed that they had never known true love, or love by modern Western standards. By addressing these three challenges through a literary, historical, philosophical, biographical and above all comparative approach, this highly original work shows how love’s profile in China shifted with the rejection of arranged marriages and concubinage in favour of free individual choice, monogamy and a Western model of romantic love. 名人推薦 ‘This book, Lynn Pan’s best to date, adds a wonderful new an

Carlo Urbani was an infective disease specialist with a beaming career, one of the most experienced in the world. He has received the Nobel Peace Prize as a national president of Doctors Without Borders (Medecins Sans Frontieres, MSF). On March 29, Urbani, ironically as the very first doctor discovering Severe Acute Respiratory Syndrome (SARS), was killed by the mysterious virus in a remote hospital of the Far East. Doctor Without Borders: Portrait of Carlo Urbani documents his remarkable life stories by including contents of manuscripts, interviews, and letters, in an attempt to honor Urbani’s memories in every way possible.

By the end of the nineteenth century, Chinese culture had fallen into a stasis, and intellectuals began to go abroad for new ideas. What emerged was an exciting musical genre that C. C. Liu terms "new music." With no direct ties to traditional Chinese music, "new music" reflects the compositional techniques and musical idioms of eighteenth- and nineteenth-century European styles. Liu traces the genesis and development of "new music" throughout the twentieth century, deftly examining the social and political forces that shaped "new music" and its uses by political activists and the government.

This book is the second in a two-volume monograph on the Zidanku Silk Manuscripts. Looted in 1942 from the Warring States-period Chu tomb at Zidanku, Changsha, the manuscripts date to the turn from the 4th to the 3rd centuries BCE and are the only pre-Imperial Chinese manuscripts on silk found to-date. The monograph represents the culmination of almost four decades of research by Professor Li Ling of Peking University. Volume One addresses the circumstances of the discovery of the Zidanku Silk Manuscripts and the subsequent provenance history in China and the United States. Volume Two provides the first complete transcription of the Zidanku Silk Manuscripts in their entirety together with reproductions of the original manuscripts. The transcription is accompanied by comprehensive annotations, with full paleographic and philological analysis of the texts. An English translation of the texts has been added by Professor Donald Harper. For the first time, the Zidanku Silk Manuscripts can

The Drunkard is one of the first full-length stream-of-consciousness novels written in Chinese. It has been called the Hong Kong Novel, and was first published in 1962 as a serial in a Hong Kong evening paper. As the unnamed Narrator, a writer at odds with a philistine world, sinks to his drunken nadir, his plight can be seen to represent that of a whole intelligentsia, a whole culture, degraded by the brutal forces of history: the Second Sino-Japanese War and the rampant capitalism of post-war Hong Kong. The often surrealistic description of the Narrator’s inexorable descent through the seedy bars and night-clubs of Hong Kong, of his numerous encounters with dance-girls and his ever more desperate bouts of drinking, is counterpointed by a series of wide-ranging literary essays, analysing the Chinese classical tradition, the popular culture of China and the West, and the modernist movement in Western and Chinese literature. The ambiance of Hong Kong in the early 1960s is graphically