Horace, Morris, and Dolores like cheese more than anything else in the world. So imagine their distress when Dolores develops a cheese allergy! All of a sudden, she's stuck eating cookies and peanut b
At the opening of the international bestseller "Pride and Prejudice and Zombies", Elizabeth Bennet is already a seasoned warrior-trained in the martial arts, skeptical of romance, and determined to wi
Horace and Morris (but mostly Dolores) love cheese. To them, Swiss is bliss, Muenster is magnificent, and nothing’s better than cheddar. But everything changes when Dolores develops an allergy to her
Best friends Horace, Morris, and Dolores do everything together. So when they try out for the chorus and Dolores (who sings notes no one has ever heard before) doesn't get in, she feels hurt and angry
Will their friendship ever be the same? Horace, Morris, and Dolores have been best friends forever. They do everything together -- from sailing the seven sewers to climbing Mount Ever-Rust. But one d
Horace and Morris, but mostly Dolores, are back again for another uproarious adventure. When the three best friends decide to try out for the school chorus together, they're shocked when Dolores (who
Horace, Morris, and Dolores do everything together and know that they will be Friends Forever...until one day, when Horace and Morris become part of an exclusive boys' club and Dolores finds herself l
This incisive and thoughtful new title in the Theatre And series confronts the difficult relationship between theatre and cancer. It explores representations of cancer in fictional worlds and autobiog
This important contribution to the Theatre And series explores what the possibilities and limits of ‘community’ contribute to our understanding of theatre, and what theatrical practice and representat
This insightful and engaging new title in the Theatre & series explores the various connections between theatre and Islam. Drawing on both historical and recent examples to trace their relationsh
This critical new title in the Theatre & series explores the fluctuating relationship between theatre and Christianity by focusing on key points of intersection - the challenge of realism and the real