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Aesthetic Materialism ─ Electricity and American Romanticism
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Walt Whitman's "Sing the Body Electric" metaphor from his epic Leaves of Grass poem stems from the technology of the time, according to Gilmore (English, California State U., Long Beach). After tracing the term "aesthetics" back to Elizabeth Peabody's Aesthetic Papers (1849), he analyzes aesthetic images of electricity, the telegraph, and other technological developments from earlier British Romanticism to those of American Romantic writers including Whitman, Herman Melville, and Frederick Douglass. Portions of the chapter on Douglass were originally printed in a 2002 issue of the literary journal ATQ. Annotation c2009 Book News, Inc., Portland, OR (booknews.com)
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Paul Gilmore, Associate Professor of English at California State University, Long Beach, is also the author of The Genuine Article: Race, Mass Culture, and American Literary Manhood (2001).
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