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The Theater of Truth ─ The Ideology of (Neo)Baroque Aesthetics
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Egginton (German and Romance languages and literatures, Johns Hopkins U.) suggests that the recent period generally called postmodern could as well be characterized as neobaroque, not because of cycling fashions, but because the Baroque is the aesthetic counterpart to a problem of thought that is coterminous with Western modernity stretching from the 16th century to the present. The problem is the relation of appearances to the world they ostensibly represent. His perspectives are Baroque holes and Baroque folds, Cervantes as the master architect on how to build a Baroque house, the theater of truth, the opacity of language and transparency of being in Gongora's poetics, the corporeal image and the New World Baroque, the dream life of Calderon and Borges, and the world well dressed in the later cinema of Pedre Almodovar. Annotation c2010 Book News, Inc., Portland, OR (booknews.com)
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William Egginton is Professor and Chair of German and Romance Languages and Literatures at the Johns Hopkins University. He is the author of How the World Became a Stage (2003), Perversity and Ethics (Stanford, 2006), A Wrinkle in History (2007), and The Philosopher's Desire (Stanford, 200
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