Cinema And Modernism

This study revolutionises our understanding of both literary modernism and early cinema. Trotter draws on the most recent scholarship in English and film studies to demonstrate how central cinema as a recording medium was to Joyce, Eliot and Woolf, and how modernist were the concerns of Chaplin and Griffith. This book rewrites the cultural history of the early twentieth century, showing how film technology and modernist aesthetics combined to explore the limits of the human.

• Offers major re-interpretations of key Modernist works, including Ulysses, The Waste Land, and To the Lighthouse
  
• Explores film and film-going in works by Henry James, Frank Norris, Rudyard Kipling, Katherine Mansfield, and Elizabeth Bowen
  
• Offers original analyses of crucial phases in the careers of two of the most celebrated film-makers of the silent era, D.W. Griffith and Charlie Chaplin

David Trotter is King Edward VII Professor of English Literature at the University of Cambridge, and a Fellow of the British Academy. He has written widely about British and American literature of the nineteenth and twentieth centuries, including, most recently, the fiction of George Eliot, and aspects of literary Naturalism. The focus of his current research is the history and theory of film. He co-founded the Cambridge Screen Media Group, and is director of its M.Phil. programme in Screen Media and Cultures.

Introduction.

Chapter 1. The literature of cinema.

Chapter 2. D.W. Griffith.

Chapter 3. James Joyce and the Automatism of the Photographic Image.

Chapter 4. T.S. Eliot.

Chapter 5. Virginia Woolf.

Chapter 6. Charlie Chaplin.