Dr Michelle O'Malley is Reader in Art History at the University of Sussex, where she has also held the position of Director of Research in the School of Humanities. Previously, she was Head of Education for Exhibitions at the Royal Academy of Arts, London. Dr. O'Malley is the author of The Business of Art: Contracts and the Commissioning Process in Renaissance Italy (2005) and The Material Renaissance (co-edited with Evelyn Welch, 2007).
Introduction (Peta Motture and Michelle O'Malley).
1. Finding fame: painting and the making of careers in Renaissance Italy (Michelle O'Malley).
2. Set in stone: monumental altar frames in Renaissance Florence (Meghan Callahan and Donal Cooper).
3. Veit Stoss and the origins of collecting of small-scale sculpture before 1500 (Norbert Jopek).
4. New light on a Venetian lantern at the V&A (Nick Humphrey and Martino Ferrari Bravo).
5. Rethinking the Petrucci Pavement (Elizabeth Miller and Alun Graves).
6. Dancing, love and the 'beautiful game': a new interpretation of a group of fifteenth-century 'gaming' boxes (Paula Nuttall).
7. Sharing and status: the design and function of a sixteenth-century Spanish spice stand in the Victoria and Albert Museum (Kirstin Kennedy).
8. Scattered knives and dismembered song: cutlery, music and the rituals of dining (Flora Dennis).
Bibliography.
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