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Modeling Messages: The Architect and the Model is a study of the contemporary model and its myriad uses in architectural practice, focusing on the object itself - its makers, materials, and methods of fabrication - and on its roles within the design profession and for the public.
Author Karen Moon identifies two principal types of models: those made for the relatively private functions of design and exchange of ideas and those prepared for the typically more public purposes of communication and presentation. Grounded in a discussion of historic models - Michelangelo's massive wooden models of Renaissance churches, Sir John Soane's beautifully crafted replicas of the Bank of England, Kasimir Malevich's Suprematist Architektons of the early twentieth century - the author's text draws as well on her extensive interviews with architects and modelmakers. Illustrations include rare archival images along with spectacular and creative models from noted international architects.
Author Karen Moon identifies two principal types of models: those made for the relatively private functions of design and exchange of ideas and those prepared for the typically more public purposes of communication and presentation. Grounded in a discussion of historic models - Michelangelo's massive wooden models of Renaissance churches, Sir John Soane's beautifully crafted replicas of the Bank of England, Kasimir Malevich's Suprematist Architektons of the early twentieth century - the author's text draws as well on her extensive interviews with architects and modelmakers. Illustrations include rare archival images along with spectacular and creative models from noted international architects.
作者簡介
Karen Moon is a historian of design and architecture. She has written on the late nineteenth and early twentieth centuries, including studies of the Scottish architect George Walton and the Anglican Cathedral of Kampala, Uganda, by Arthur Beresford Pite. Moon has worked as a modelmaker for BBC Television and as an exhibition curator. She currently lives in Dar es Salaam, Tanzania, where she works as a consultant for architectural and cultural heritage, most recently at the World Heritage Site of Kilwa Kisiwani, an East African port of the eleventh to eighteenth century.
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