<div><br/><p>This book brings together three main topics - deconstruction, philosophy of language, and literary theory - that have figured centrally in Christopher Norris's work over the past two decades. It offers a refreshingly clear and vigorous statement of his views as to how ‘theory' might profit from a greater awareness of current philosophical debates while philosophy might likewise gain by adopting a more open-minded attitude toward developments in literary theory. Most significant here is Norris's continuing exploration of the various points of contact between Jacques Derrida's thought and the kinds of concern - especially with issues in philosophical semantics and speech-act theory - that have preoccupied thinkers in the ‘other', mainstream-analytic line of descent. However his focus is consistently on matters that should be of interest to philosophers and literary theorists alike. </p><br/><p>Thus Norris devotes some penetrating commentary to topics such as modal or ‘possible-worlds' logic as it bears upon issues in narrative theory; the ‘two cultures' (science <i>versus</i> literature) controversy; the different ways in which literary theory has alternately embraced and rejected the appeal to ‘scientific' modes of analysis; and some possible reasons for Wittgenstein's well-known aversion to Shakespeare. He also suggests a novel approach to the free-will/determinism issue by way of debates about the nature of language and the scope it affords for expressive creativity despite - or owing to - the limits imposed by various structural constraints.</p><br/><p>Altogether this important new book provides a welcome overview of the author's current thinking and an equally welcome enlargement of horizons in contrast to the narrowly specialised character of much present-day academic discourse.</p></div>>
