The extraordinary body of work produced by photographer Carleton Watkins (1829–1916) between 1858 and 1891 constitutes one of the longest and most productive careers in nineteenth-century American photography. Nearly thirteen hundred “mammoth” (18 x 22 inch) glass-plate negatives were produced, the majority of which exist in only one surviving print. Of these, fewer than three hundred have been previously reproduced or exhibited.??
Weston Naef is curator emeritus in the Department of Photographs at the J. Paul Getty Museum. Christine Hult-Lewis is an independent scholar, based in San Francisco.
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