Captain Poetry's Sucker Punch

Literary Nonfiction. Poetry History & Criticism. Introduction by Dale Smith. Afterword by Ammiel Alcalay. Called by Andrei Codrescu, "one of the few and great readers of American poetry," Warren presents in this collection of more than one hundred essays an interactive history of poetic aspirations and punk protrusions. With a mytho-poetic, archetypal way of reading community, music, and poetry, Warren is a provocative exegete of humanity's typological inheritance. From Wrestlemania to the Cosmic Ethiopian King, from The Residents to Simon Weil, Warren has organized his criticism into four sections, including: Semiotic Sobriety, about the manipulations of language, money, music, property, and state power that squeezed the poetic mind into a punkhole dug by Baby Boomers during the Age of Reagan; Archaic Sexuality, analyzing the lunar circuits and somatic-bio rhythms that pulled poets toward chthonic depth; Alchemical Precision, in which he explores an Arcanum of poets ranging from Objectivists to the Western Occult; and Phamacological Utopia, in which he pays tribute to Charles Olson, A Curriculum of the Soul, Jack Clarke, and other poets of intuitive genius. The book covers the best of Cleveland's underground bands, including Pere Ubu, Home and Garden, The Floyd Band, and The Mice. The Dead Kennedys, The Residents, and Johnny Thunders are represented as well. There are essays on Beat poets Gregory Corso, Bob Kaufman, Jack Kerouac, Peter Orlovsky, and Ray Bremser. Other poets considered are: Kathy Acker, David Antin, Mei-mei Berssenbrugge, Robin Blaser, Richard Blevins, John Cage, Robert Creeley, Ed Dorn, Sharon Doubiago, Robert Duncan, Larry Eigner, Stephen Ellis, Clayton Eshleman, Richard Grossinger, Jack Hirschman, Susan Howe, Lawrence Joseph, Yusef Komunykaa, d. a. levy, Lyn Lifshin, Harold Norse, Ed Sanders, Hugh Seidman, Gilbert Sorrentino, Stacy Szymaszek, Tod Thilleman, Anne Waldman, Diane Ward, Lewis Warsh, John Wieners, and many more.