商品簡介
"Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s and the emergence of mega-exhibitions in Asia in the 1990s to the current globalization of biennials"--
作者簡介
Charles Green is Professor of Contemporary Art at the University of Melbourne. He is the author ofThe Third Hand: Artist Collaborations from Conceptualism to Postmodernism (2001) andPeripheral Vision: Contemporary Australian Art 1970-94 (1995) and co-author ofFraming Conflict: War, Peace and Aftermath (2014, with L. Brown and J. Cattapan). As Adjunct Senior Curator of Contemporary Art at the National Gallery of Victoria he co-curatedFieldwork: Australian Art 1968-2002 (2002), world rush_4 artists (2003),2004: Australian Visual Culture Now (ACMI/NGVA, 2004), and 2006: Contemporary Commonwealth(ACMI/NGVA, 2006). Green is also an artist working in collaboration with Lyndell Brown since 1989.
Anthony Gardner is Associate Professor in Contemporary Art History and Theory at the Ruskin School of Art at the University of Oxford. He is the author ofPolitically Unbecoming: Postsocialist Art Against Democracy (2015), the editor ofMapping South: Journeys in South-South Cultural Relations (2013) and a co-editor of the journalArtMargins.
