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""On the one hand, the affirmation that Latino art is American art is simply a fact. Latino artists are American by birth, citizenship, residence, education, experience, and even sacrifice-a factor made clear by the large number of Latino artists that have served in the United States armed forces. On the other hand, the statement poses a challenge to the ways in which we traditionally think about what constitutes American art."-E. Carmen RamosIs Latino art an integral part of modern American art? Presenting one hundred major artworks from the Smithsonian American Art Museum, Our America seeks to "recalibrate" enduring concepts about American national culture by exploring how one group of artists-those of Latin American descent and heritage-express their relationship to American art, history, and culture.Highlights include an installation altar by Amalia Mesa-Bains, the "recycled" films of Raphael Montaanez Ortiz, and a 1960 geometric painting by Carmen Herrera. Other notable artists include Olga Albizu, Melesio "Mel" Casas, Maria Magdalena Campos-Pons, Margarita Cabrera, Enrique Chagoya, Teresita Fernaandez, Ken Gonzales-Day, Luis Jimaenez, Ana Mendieta, Pepaon Osorio, Sophie Rivera, Freddy Rodri;guez, and John Valadez, among many others.Author and curator E. Carmen Ramos is the Smithsonian American Art Museum's curator of latino art. She has organized numerous shows, including the fifth biennial at El Museo del Barrio in New York City in 2007.Dr. Tomaas Ybarra-Frausto, the "grandfather" of this subject, and formerly associate director for creativity and culture at the Rockefeller Foundation in New York, has written and published extensively on US/latino cultural issues"--
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E. Carmen Ramos joined the Smithsonian American Art Museum staff as curator of Latino art in October 2010. Ramos is responsible for acquiring artworks for the museum’s permanent collection and producing a major exhibition and catalog based on the museum’s Latino holdings. Her research interests include modern and contemporary Latino, Latin American, and African American art.
Ramos is organizing Our America: The Latino Presence in American Art, which opens at the museum Oct. 25, 2013. Previous projects include BLACKOUT: A Centennial Commission by Paul Henry Ramirez(2010), a site-specific exhibition at The Newark Museum and Cut, Build and Weld: Process in Works by Chakaia Booker(2010) at the Visual Arts Center of New Jersey in Summit. She co-curated the fifth biennial at El Museo del Barrio in New York City in 2007 and also has organized exhibitions about Mexican popular arts (2007) and works by artists Franco Mondini-Ruiz (2007) and Freddy Rodriguez (2005). Before joining the museum’s staff, Ramos was the curator of exhibitions for the Arts Council of Princeton at the Paul Robeson Center for the Arts and assistant curator for cultural engagement at The Newark Museum.
Ramos is organizing Our America: The Latino Presence in American Art, which opens at the museum Oct. 25, 2013. Previous projects include BLACKOUT: A Centennial Commission by Paul Henry Ramirez(2010), a site-specific exhibition at The Newark Museum and Cut, Build and Weld: Process in Works by Chakaia Booker(2010) at the Visual Arts Center of New Jersey in Summit. She co-curated the fifth biennial at El Museo del Barrio in New York City in 2007 and also has organized exhibitions about Mexican popular arts (2007) and works by artists Franco Mondini-Ruiz (2007) and Freddy Rodriguez (2005). Before joining the museum’s staff, Ramos was the curator of exhibitions for the Arts Council of Princeton at the Paul Robeson Center for the Arts and assistant curator for cultural engagement at The Newark Museum.
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