B. S. Johnson and Post-War Literature ─ Possibilities of the Avant Garde

B.S. Johnson is increasingly a crucial figure in the ongoing reassessment of the literary scene since the Second World War. He is central to the generation from which he came (he has even been called by his biographer, Jonathan Coe, the 'one man avant-garde of the nineteen-sixties'), but he is also pivotal in wider contexts; his brand of experimental writing reaches back to Beckett and Joyce, transcends national boundaries in its kinship with avant garde continental writing, and gestures forward to a strand of contemporary literature that is similarly preoccupied with form, constraint, difficulty, and truth. B.S. Johnson and Post-War Literature builds on the growing interest in Johnson, and seeks to continue the work of recovering him, and the wider circle of sixties 'experimentalists' of which he was a part, from the marginalisation that this term sometimes implies, through the delineation of his historical, political and literary contexts.

Julia Jordan is a Lecturer in English at UCL, UK. She is the author of Chance and the Modern British Novel (2010), and co-edited (with Jonathan Coe and Philip Tew) Well Done God!, the B.S. Johnson anthology (2013). She is currently working on a book about accidents in the post-1945 novel.

Martin Ryle is Reader in English at the University of Sussex, UK. His interests and publications include recent and contemporary British and Irish fiction and questions of culture, consumption and the environment.