商品簡介
"In this collection, contributors employ diverse critical methods and perspectives to explore the role of music in American film and television of the 1950s and 1960s, as well as in films from more recent years that allude to, reflect back upon, or recreate those decades. Particular attention is given to uncovering how motion picture culture and its music treated anxieties about suburbanization, conformity, the family, and gender"--Provided by publisher.
作者簡介
Stanley C. Pelkey II is Dean of the School of Liberal Arts and Sciences at Roberts Wesleyan College (Rochester, New York). A musicologist and cultural historian, he co-edited Music and History: Bridging the Disciplines (University Press of Mississippi, 2005) and has published articles on British composers and musical culture as well as on American film and television music.
Anthony Bushard is Associate Professor of music history in the Glenn Korff School of Music at the University of Nebraska, Lincoln. Most recently, he wrote Leonard Bernstein's On the Waterfront: A Film Score Guide (Scarecrow Press, 2013) and has published articles on jazz and film music and lectured on those topics at regional, national, and international conferences and symposia.
