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This book illustrates how local awareness of Western cultural hegemonic entities such as Broadway and Shakespeare have been implemented within South Korean theatre in the global era. With a focus on performances that targeted global audiences, Lee explores the ways in which Korea's nationalistic desires for global visibility are projected on stage.
作者簡介
Hyunjung Lee is an Assistant Professor in the Division of English at Nanyang Technological University, Singapore. Her articles have appeared in Korea Journal, Theatre Research International, and in the Journal of Popular Culture, among others. She has also co-edited a journal special issue entitled "Colonial Modernity and Beyond: In East Asian Contexts" in Cultural Studies (2012).
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