Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. The book first presents a general description of the history and background of popular music in France, followed by essays that are organized into thematic sections: The Mutations of French Popular Music during the 30 glorieuses; Politicizing Popular Music; Assimilation, Appropriation, French Specificity; and From Digital Stakes to Cultural Heritage: The French Touch.
Gerome Guibert is Doctor in Sociology and Associate Professor at the Paris 3 Sorbonne Nouvelle University. He has published many books including La Production de la culture. Le cas des musiques amplifiees en France (2006). He is also editor-in-chief of Volume!, the French journal of Popular Music Studies. His research is in the fields of economic sociology, solidarity economy and local music scenes, with interests in the cultural development of music genres in France (including metal).
Catherine Rudent is a Lecturer in Musicology in Paris-Sorbonne University (Paris IV). Interested in style and social determination within the area of (mainly French) popular music, she has published L’Album de chansons. Entre processus social et oeuvre musicale (2011).
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