This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored.
Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.
Stephanie French is Department Chair and Associate Professor of Theatre at East Stroudsberg University.
Philip G. Bennett is an actor, artistic director and Instructor of the Stanislavski System of Acting: The Method of Physical Actions and Active Analysis. He was a founding member of the American Stanislavski Theatre, in New York.
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