Matt Zoller Seitz is the TV critic for New York Magazine, the editor-in-chief of RogerEbert.com, a finalist for the Pulitzer Prize in criticism, and the author of theNew York Times bestsellers The Wes Anderson Collection (Abrams, 2013) andThe Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015), as well as the forthcomingThe Oliver Stone Experience (Abrams, 2016). He is the founder and original editor ofThe House Next Door, now a part of Slant Magazine, and the publisher ofPress Play, a blog of film and TV criticism and video essays.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, “Wes Anderson: The Substance of Style,” was later spun off intoThe Wes Anderson Collection, and his 2008 video essay series “Oliver Stone: The Official History” is the partial basis forThe Oliver Stone Experience.
Megan Abbott is the EdgarR-winning author of the novels Queenpin, The Song Is You, Die a Little, Bury Me Deep, The End of Everything,Dare Me, and her latest, The Fever, which was chosen as one of the Best Books of the Summer by theNew York Times, People magazine, and Entertainment Weekly, and one of the Best Books of the Year by Amazon, National Public Radio, theBoston Globe, and the Los Angeles Times.
Her writing has appeared in the New York Times, Salon, the Guardian, theWall Street Journal, the Los Angeles Times Magazine, the Believer, and theLos Angeles Review of Books. Abbott is also the author of a nonfiction book,The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir, and the editor ofA Hell of a Woman, an anthology of female crime fiction. She has been nominated for many awards, including three EdgarR Awards, the Hammett Prize, the Shirley Jackson Prize, the Los Angeles Times Book Prize, and the Folio Prize. She lives in New York City.
Max Dalton is a graphic artist living in Buenos Aires, Argentina by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, includingThe Wes Anderson Collection (Abrams, 2012) and The Wes Anderson Collection: The Grand Budapest Hotel (Abrams 2014). Max started painting in 1977 and since 2008, he has been creating posters about music, movies, and pop culture.