Cinema in Muslim Societies

This book collates a comprehensive range of fascinating essays by leading authors on film from across the Muslim world. Responding to political and theoretical misconceptions about Islam and Muslim culture, it covers North African, Arab and Asian cinemas in a rich series of industry histories, single film studies and detailed analyses of celebrated directors.Cinema in Muslim Societies is innovative and timely in its explicit engagement with vexing questions of Islamic aesthetics, political activism, socialism and the role of women in Muslim contexts.

The authors explore a wide variety of topics, from cinematic art and poetry to religious identity and pornography. Debated extensively at a programme of public talks and screenings at the Institute of Contemporary Arts in London in 2011, this volume remains supremely relevant in a world of polarising identities and political violence engulfing Muslim societies and the West.

This book was originally published as a special issue of Third Text.

Ali Nobil Ahmad is a Fellow at the Zentrum Moderner Orient in Berlin, Germany, and Assistant Professor at the Lahore University of Management Sciences, Pakistan. He is a former editorial board member of the journalThird Text. In 2011, he co-curated Winds of Change, a programme of film screenings and talks about cinema and the Arab Spring at the Institute of Contemporary Arts in London, UK.