Mary Campbell-Sposito, "CANIS MAJOR: Introducing Raymond Queneau"/Gilbert Sorrentino, "Variations for Raymond Queneau"/* Raymond Queneau, "Interviews with Georges Charbonnier--No. 5?/Raymond Queneau, "Technique of the Novel"/Raymond Queneau, "From Children of Clay"/Harry Mathews, "Charity Begins at Home"/Gilbert Pestureau, "The Art of the Novel in Saint Glinglin"/Jacques Jouet, "'Interludes' from Raymond Queneau"/Claude Debon, "Queneau and Poetic Illusion"/Barbara Wright, "Translating Queneau"/Andre Blavier, "Droles de Drames"/Jacques Roubaud "The Birth of a Form: Elementary Morality"/Selected Bibliography/Selected Translations of Queneau's Works into English/Victoria Frenkel Harris, "Carole Maso: An Introduction and an Interpellated Interview"/Carole Maso, "Except Joy: on Aureole"/Carole Maso, "Traveling Light from The Bay of Angels"/Louise DeSalvo, "'We Will Speak and Bear Witness': Storytelling as Testimony and Healing in Ghost Dance"/Charles B. Harris, "The Dead Fathers: The Rejection of Modernist Distance in The Art Lover"/Victoria Frenkel Harris, "Emancipating the Proclamation: Gender and Genre in AVA"/Nicole Cooley, "'There's Not One Story That Will Change This': The American Woman in the Chinese Hat"/Jeffrey DeShell, "Between the Winding Sheets: The American Woman in the Chinese Hat"/Steven Moore, "A New Language for Desire: Aureole"/A Carole Maso Checklist
John O'Brien founded the Review of Contemporary Fiction in 1981.
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