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The Multilingual Screen ─ New Reflections on Cinema and Linguistic Difference
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The Multilingual Screen ─ New Reflections on Cinema and Linguistic Difference

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The Multilingual Screen is the first volume to offer a wide-ranging exploration of the place of multilingualism in cinema, investigating the ways in which linguistic difference and exchange have shaped, and continue to shape, the medium's history. Moving across a vast array of geographic, historical, and theoretical contexts, the essays in this collection address the aesthetic, political, and industrial significance of multilingualism in film production and reception.

Attending to multilingualism's force beyond the soundtrack, the contributors bring into critical dialogue essays that reexamine canonical film theories and film-producing regions and others that excavate rarely discussed film histories.The Multilingual Screen employs numerous theoretical frameworks across a multitude of international case studies and includes an interview with Roman Polanski, whose filmography affords one of the most intriguing and theoretically fertile negotiations of the perceptual dynamics of linguistic displacement. Each of the contributors provides an important perspective on the study of both regional and transnational cinemas and commercial and experimental films, provoking a re-evaluation and re-invigoration of the question of cinema's relation to language.

作者簡介

Tijana Mamula is an Adjunct Assistant Professor of Film at John Cabot University in Rome, Italy. She holds a PhD in Film Studies from King's College London, UK, and has contributed articles and reviews toScreen, Studies in French Cinema, Avanguardia, Bright Lights Film Journal, Transnational Cinemas, Oxford Bibliographies, and the contemporary art magazineNERO, where she is also a contributing editor. Her book Cinema and Language Loss: Displacement, Visuality and the Filmic Imagewas published in 2012.

Lisa Patti is Visiting Assistant Professor of Media and Society at Hobart and William Smith Colleges in New York, USA. She received her PhD in comparative literature with a concentration in film and video from Cornell University, USA, and is co-author of Film Studies: A Global Introduction (with Glyn Davis, Kay Dickinson, and Amy Villarejo; forthcoming) and is currently completing her bookMobile-lingualism: New Media, Contemporary Cinephilia, and Translation.

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