商品簡介
作者簡介
商品簡介
Craig Smith was good looking, charismatic, outgoing — a gifted musician whose songs were recorded by some of the biggest names in entertainment. His future success seemed assured, but the clean cut Craig Smith became the schizophrenic Maitreya Kali, a self-proclaimed psychedelic Messiah. Mike Stax spent fifteen years piecing together one of the most tragic stories of the 1960s and
作者簡介
Mike Stax: Editor of the highly respected 60s/’70s music magazine, Ugly Things. He has written liner notes for hundreds of reissues, and contributing to other publications, including the Oxford American and Shindig, and has also co-authored two books, Don’t Bring Me Down and I, Unseen (with Rick Brown).
Since 1983 UGLY THINGS magazine has brought its readers unparalleled coverage of WILD SOUNDS FROM PAST DIMENSIONS: the best lost, unknown and overlooked music of the 1960s and beyond. Published twice a year, each issues features 160-200 pages of in-depth features, exclusive interviews, rare photos and more, as well as a massive review section sifting through hundreds of vinyl and CD reissues, music-related books and DVDs. UGLY THINGS is not a hobbyist publication for trainspotting elitists, it is a high energy rock & roll fanzine about the music and the stories of the people that made it happen.
UT RECORDS was started as a sideline to the magazine, presenting high quality vinyl and CD releases of rare and previously unreleased garage, beat and psychedelia from the 1960s.
Since 1983 UGLY THINGS magazine has brought its readers unparalleled coverage of WILD SOUNDS FROM PAST DIMENSIONS: the best lost, unknown and overlooked music of the 1960s and beyond. Published twice a year, each issues features 160-200 pages of in-depth features, exclusive interviews, rare photos and more, as well as a massive review section sifting through hundreds of vinyl and CD reissues, music-related books and DVDs. UGLY THINGS is not a hobbyist publication for trainspotting elitists, it is a high energy rock & roll fanzine about the music and the stories of the people that made it happen.
UT RECORDS was started as a sideline to the magazine, presenting high quality vinyl and CD releases of rare and previously unreleased garage, beat and psychedelia from the 1960s.
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