商品簡介
This collection of new essays explores the many ways in which composers have been depicted in film and what audiences have taken away from such depictions. Beginning with some of the earliest silent film examples—including some of the first feature-length “bio-pics” ever produced—these essays range from the 12th century abbess Hildegard of Bingen to the great classical and romantic eras of Verdi, Wagner, Berlioz and Strauss, up to the 20th century Elgar, Delius, Gershwin and Blitzstein.
作者簡介
Paul Fryer is a professor at Rose Bruford College of Theatre and Performance (UK), where he is Director of The Stanislavski Centre and editor-in-chief of the journal, Stanislavski Studies.
