在詩集和散文之後，2020諾貝爾文學獎得主葛綠珂最不同以往的，精巧卻又恬靜的短篇故事。透過一對未滿一歲的雙胞胎女嬰，Marigold和Rose的感官，感知並探索這個世界。有趣的是，對世界尚無概念的兩人，想法看似迥異卻微妙地互補。葛綠珂藉嬰幼兒的雙眼，提供了一個認知和理解世界的可愛角度。
Marigold and Rose is an enchanting, playful, and absolutely singular fable from the Nobel laureate and Pulitzer Prize winner Louise Glück.
“Marigold was absorbed in her book; she had gotten as far as the V.” So begins Marigold and Rose, Louise Glück's astonishing chronicle of the first year in the life of twin girls. Imagine a fairy tale that is also a multigenerational saga; a piece for two hands that is also a symphony; a poem that is also, in the spirit of Kafka's Metamorphosis, an incandescent act of autobiography.
Here are the elements you'd expect to find in a story of infant twins―Father and Mother; Grandmother and Other Grandmother; bath time and naptime―but more than that, Marigold and Rose is an investigation of the great mystery of language and of time itself, of what is and what has been and what will be. “Outside the playpen there were day and night. What did they add up to? Time was what they added up to. Rain arrived, then snow.” The twins learn to climb stairs, they regard each other like criminals through the bars of their cribs, they begin to speak. “It was evening. Rose was smiling placidly in the bathtub, playing with the squirting elephant which, according to Mother, represented patience, strength, loyalty, and wisdom. How does she do it, Marigold thought, knowing what we know.”
Simultaneously sad and funny, and shot through with a sense of stoic wonder, this small miracle of a book, following thirteen books of poetry and two collections of essays, is unlike anything Glück has written, while at the same time it is inevitable, transcendent.
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