Our environment is changing rapidly, as is the spectrum of possible relationships we can entertain with it. Against this background, one important task emerging in contemporary philosophical discussion concerns defining the status of the contemporary images and the "iconic spaces" we encounter with ever-increasing frequency in the most disparate forms.
Within this context, the dimension of perception seems to be losing its primacy over the image, making a philosophical description of the new and changing relationships between image and reality all the more necessary. Among images, the classical distinction between documentary and fiction has been drastically called into question, and along with it the nature of the emotions and values we experience in these two domains.
Rozzoni proposes a phenomenological approach to this classical distinction that overcomes the dichotomy between documentary and fiction. By stressing the role played by imagination and narrative in the constitution of reality, it will present a perspectival construal of "truth" serving the goal of better understanding our contemporary interactions with images and the "facts," "emotions," and "values" we experience through them.
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