CONTENTS
Creative Think Piece: A Grace-ful Testimony
Jason Oby
Toward a Broader Definition of the Unrealistic: Louise Erdrich's Future Home of the Living God and Ernesto Qui?onez's Ta?na
M?nica G. Ayuso
Communication Breakdown: Failed Embodied Individuation and Computer Mediated Communication in Samanta Schweblin's Kentukis [Little Eyes]
Anthony L?pez Get
Benevolent Conspiracy: Biopolitics and Paranoia in Shane Carruth's Upstream Color
Steffen Hantke
Filmic Transpositions of Comic Books: Theorising the Relationship Between the Languages of Cinema and Comics
Yuri Garcia
Grotesque Bodies and Grotesque Power in Djinn City and Clone
Sayujya Sankar
Jinetes de la tormenta: The Invasive Influence of Gender Constructs on the Journey Towards Selfhood and Societal Progress
Marissa Luquette
The Queer Temporality of Gail Carriger's Parasol Protectorate
Willow M. Conley and Natalie Grinnell
"I'm No Mollycoddle" A Reinterpretation of Lovecraft's "Pickman's Model"
Dylan Henderson
The Hell that You Create: Hellbound: Hellraiser II and the Limits of the Symbolic Order
Barbara Greene
Elliptical Structures and Fantastic Times: Coltrane's "My Favorite Things" and Garc?a M?rquez's One Hundred Years of Solitude
Geoff Guevara-Geer
Genre Infrastructure as Speculative Method in Latin America
Patrick Anthony Barbosa Brock
Gender and Old Age as Sources of Empowerment: Tenar's Case in Ursula K. Le Guin's Earthsea Saga
Jon Alkorta
REVIEWS
Taryne Jade Taylor, Isiah Lavender III, Grace L. Dillon, and Bodhisattva Chattopadhyay's The Routledge Handbook of CoFuturisms
Rev. by Alexis Brooks de Vita
Yamile Saied M?ndez and Amparo Ortiz's Our Shadows Have Claws: Latin American Monster Stories
Rev. by Jacob Hibbard
John Plotz's Ursula Le Guin's Earthsea
Rev. by Federico Palmieri di Pietro
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