Mark Rothko's classic book on artistic practice, ideals, and philosophy, now with an expanded introduction and an afterword by Makoto Fujimura Stored in a New York City warehouse for many years after the artist's death, this extraordinary manuscript by Mark Rothko (1903-1970) was published to great acclaim in 2004. Probably written in 1940 or 1941, it contains Rothko's ideas on the modern art world, art history, myth, beauty, the challenges of being an artist in society, the true nature of "American art," and much more. In his introduction, illustrated with examples of Rothko's work and pages from the manuscript, the artist's son, Christopher Rothko, describes the discovery of the manuscript and the fascinating process of its initial publication. This edition includes discussion of Rothko's "Scribble Book" (1932), his notes on teaching art to children, which has received renewed scholarly attention in recent years and provides clues to the genesis of Rothko's thinking on pedagogy
One of the most important artists of the twentieth century, Mark Rothko (1903–1970) created a new and impassioned form of abstract painting over the course of his career. Rothko also wrote a nu
This extraordinary book is the first volume of the definitive catalogue raisonne of the work of Mark Rothko, one of the greatest abstract artists of the twentieth century. It documents Rothko's entire
Mark Rothko: The Exhibitions at Pace is a highly-anticipated historical monograph on one of the greatest abstract painters of the twentieth-century.This exceptional volume encompasses an extraordinary
While the collected writings of many major 20th-century artists, including Barnett Newman, Robert Motherwell, and Ad Reinhardt, have been published, Mark Rothko’s writings have only recently co
