he book explores cellular pivots as a new means of progression, functional tonality having disappeared in much of contemporary music. Bãaela Bartãaok can be seen as a kind of father figure to the othe
Chinese and American scholars presented papers at the 2nd annual conference organized by RAND in Santa Monica, and the China Reform Forum in Beijing. This book contains those edited papers.
This book complements previous scholarship on Chinese women and gender by expanding our investigative lens beyond Han patriarchy and providing images of the multi-ethnic landscape of China. By identif