；Bladen, Victoria (University of Queensland),Hatchuel, Sarah (University Paul-Valery Montpellier),Vienne-Guerrin, Nathalie (University Paul-Valery Montpellier)
（1）
The first volume in the re-launched series Shakespeare on Screen is devoted to Othello, offering up-to-date coverage of recent screen versions as well as new critical essays on older, canonical films. An international cast of authors explores not only productions from the USA and UK, but also translations, adaptations and appropriations in Québec, Italy, India, Brazil and Mexico. The volume takes part in the ceaseless cultural investigation of what Othello says about Shakespeare, the past and our present time, supported by an invaluable film-bibliography. Accompanying free online resources include a fuller version of the bibliography and an additional contribution on YouTube versions of Othello. This book will be a valuable resource for students, scholars and teachers of film studies and Shakespeare studies.
The first volume in the re-launched series Shakespeare on Screen is devoted to Othello, offering up-to-date coverage of recent screen versions as well as new critical essays on older, canonical films. An international cast of authors explores not only productions from the USA and UK, but also translations, adaptations and appropriations in Québec, Italy, India, Brazil and Mexico. The volume takes part in the ceaseless cultural investigation of what Othello says about Shakespeare, the past and our present time, supported by an invaluable film-bibliography. Accompanying free online resources include a fuller version of the bibliography and an additional contribution on YouTube versions of Othello. This book will be a valuable resource for students, scholars and teachers of film studies and Shakespeare studies.
The third volume in the re-launched series Shakespeare on Screen is devoted to film versions and adaptations of King Lear. Bringing together an international group of scholars, the chapters provide new insights and perspectives on what constitutes 'Learness' in a range of films, TV productions, translations, free retellings and appropriations from around the world. Taking 'screen' in its broader sense, it also covers digital material such as video archives, internet movies and YouTube videos. The volume features an invaluable film-bibliography and accompanying online resources include additional essays and an expanded version of the film-bibliography.
The second volume in the re-launched series Shakespeare on Screen is devoted to The Tempest and Shakespeare's late romances, offering up-to-date coverage of recent screen versions as well as new critical reviews of older, canonical films. An international cast of authors explores not only productions from the USA and the UK, but also translations, adaptations and appropriations from Poland, Italy and France. Spanning a wide chronological range, from the first cinematic interpretation of Cymbeline in 1913 to The Royal Ballet's live broadcast of The Winter's Tale in 2014, the volume provides an extensive treatment of the plays' resonance for contemporary audiences. Supported by a film-bibliography, numerous illustrations and free online resources, the book will be an invaluable resource for students, scholars and teachers of film studies and Shakespeare studies.
The third volume in the re-launched series Shakespeare on Screen is devoted to film versions and adaptations of King Lear. Bringing together an international group of scholars, the chapters provide new insights and perspectives on what constitutes 'Learness' in a range of films, TV productions, translations, free retellings and appropriations from around the world. Taking 'screen' in its broader sense, it also covers digital material such as video archives, internet movies and YouTube videos. The volume features an invaluable film-bibliography and accompanying online resources include additional essays and an expanded version of the film-bibliography.
