Colour Films in Britain is the first nationally-focused study of colour style and technology. Unlike the coming of sound, colour did not revolutionise the film industry overnight, and charting the Bri
First published in 1969, Signs and Meaning in the Cinema transformed the emerging discipline of film studies. Remarkably eclectic and informed, Peter Wollen's highly influential and groundbreaking wor
First published in 1969, Signs and Meaning in the Cinema transformed the emerging discipline of film studies. Remarkably eclectic and informed, Peter Wollen's highly influential and groundbreaking wor
Raymond Durgnat’s classic study of British films from the 1940s to the 1960s, first published in 1970, remains one of the most important books ever written on British cinema. In his introduction, Kevi
Milne makes a case for the director as a unique talent, important for far more than the technical innovations for which he has rightly received recognition. Milne takes as his `basic text' a quote fro
Tom Milne's classic study of the great Armenian-American Director provides a film-by-film analysis of Mamoulian's film-making career, from Applause (1929) to Silk Stockings (1957), by way of Dr Jekyll
When the first edition of this book appeared, at the beginning of the 1980s, the age of the Hollywood musical seemed to be over. Fred and Ginger had long since hung up their dancing shoes, and audienc
A legendary fusion of science fiction and horror, Alien (1979) is one of the most enduring modern myths of cinema – its famously visceral scenes acting like a traumatic wound we seem compelled to revi
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