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Writing Art

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Public Knowledge
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出版日:2019/10/15 作者:Michael Archer  出版社:Mit Pr  裝訂:精裝
Writings by the conceptual artist Michael Asher-including notes, proposals, exhibition statements, and letters to curators and critics-most published here for the first time. The California conceptu
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We Are in Open Circuits
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出版日:2019/10/01 作者:Nam June Paik; John G. Hanhardt ; Gregory Zinman ; Edith Decker-Phillips  出版社:Mit Pr  裝訂:精裝
Essays, project plans, and correspondence from across Nam Jun Paik's career, much of it previously out of print or unpublished. Nam June Paik (1932-2006) is a pivotal figure in the history of modern
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Working Conditions
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出版日:2016/10/21 作者:Hans Haacke; Alexander Alberro  出版社:Mit Pr  裝訂:精裝
Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context -- the economic, social, and political
優惠價: 79 1050
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出版日:2015/09/04 作者:Jack Burnham; Melissa Ragain; Hans Haacke  出版社:Mit Pr  裝訂:精裝
Jack Burnham is one of the few critics and theorists alive today who can claim to have radically altered the way we think about works of art. Burnham's use of the term "system" (borr
On the Camera Arts and Consecutive Matters
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出版日:2015/01/30 作者:Hollis Frampton; Bruce Jenkins  出版社:Mit Pr  裝訂:平裝
As Hollis Frampton's photographs and celebrated experimental films were testing the boundaries of "the camera arts" in the 1960s and 1970s, his provocative and highly literate writin
優惠價: 79 900
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Feelings Are Facts
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出版日:2013/09/20 作者:Yvonne Rainer  出版社:Mit Pr  裝訂:平裝
If you're interested in Plato, you're reading the wrong book. If you're interested indifficult childhoods, sexual misadventures, aesthetics, cultural history, and the reasons that aclub sandwich and o
優惠價: 79 1200
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出版日:2011/03/18 作者:Ai Weiwei; Lee Ambrozy  出版社:Mit Pr  裝訂:平裝
In 2006, even though he could barely type, China's most famous artist startedblogging. For more than three years, Ai Weiwei turned out a steady stream of scathing socialcommentary, criticism of govern
出版日:2009/02/13 作者:Hollis Frampton; Bruce Jenkins; Bruce Jenkins  出版社:Mit Pr  裝訂:精裝
As Hollis Frampton's photographs and retreated experimental films were testing the boundaries of the camera arts in the 1960s and 1970s, his provocative and highly literate writings were alternating t
出版日:2008/05/09 作者:Mel Bochner  出版社:Mit Pr  裝訂:精裝
Artist Mel Bochner became a writer, he says, almost by accident. In 1965, as a youngartist in New York, he was out of a job; Arts Magazine paid him $2.50 for every review he turnedin, whether they pub
出版日:2007/09/28 作者:Andrea Fraser; Alexander Alberro  出版社:Mit Pr  裝訂:平裝
Andrea Fraser's work, writes Pierre Bourdieu in his foreword to Museum Highlights, is able to "trigger a social mechanism, a sort of machine infernale whose operation causes the hidden truth of social
出版日:2006/05/26 作者:Yvonne Rainer  出版社:Mit Pr  裝訂:精裝
Memoir by the avant-garde dancer, choreographer, and filmmaker recounting her childhood years, sexual misadventures, and artistic explorations.
出版日:2006/03/03 作者:Craig Douglas Dworkin  出版社:Mit Pr  裝訂:精裝
Pioneering conceptual artist Vito Acconci began his career as a poet. In the 1960s, before beginning his work in performance and video art, Acconci studied at the Iowa Writers Workshop and published p
出版日:2004/02/27 作者:Edward Ruscha  出版社:Mit Pr  裝訂:平裝
Ed Ruscha is among the most innovative artists of the last forty years. He is also one of the first Americans to introduce a critique of popular culture and an examination of language into the visual
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出版日:2004/02/06 作者:Mike Kelley; John C. Welchman  出版社:Mit Pr  裝訂:平裝
What John C. Welchman calls the "blazing network of focused conflations" from whichMike Kelley's styles are generated is on display in all its diversity in this second volume of theartist's writings.
出版日:2004/02/06 作者:Mike Kelley; John C. Welchman  出版社:Mit Pr  裝訂:精裝
What John C. Welchman calls the "blazing network of focused conflations" from whichMike Kelley's styles are generated is on display in all its diversity in this second volume of theartist's writings.
出版日:2003/09/12 作者:Charles Harrison  出版社:Mit Pr  裝訂:平裝
These essays by art historian and critic Charles Harrison are based on the premisethat making art and talking about art are related enterprises. They are written from the point ofview of Art & Lan
出版日:1999/11/09 作者:Dan Graham; Alexander Alberro; Marian Goodman Gallery  出版社:Mit Pr  裝訂:平裝
Essays charting the diverse works of renowned conceptual artist Dan Graham.
出版日:1998/07/31 作者:Mary Kelly  出版社:Mit Pr  裝訂:平裝
Imaging Desire, Mary Kelly's long-awaited collection of writings from 1976 to 1995,asks fundamental questions about the analysis of current practices in art and makes rigorousarguments for a criticism
出版日:1994/07/25 作者:Barbara Kruger  出版社:Mit Pr  裝訂:平裝
Who speaks? Who is silent? Who is seen? Who is absent? These questions focus on how cultures are constructed through pictures and words, how we are seduced into a world of appearances: into a pose of
Cuts
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出版日:2005/05/27 作者:Carl Andre; James Sampson Meyer ; James Sampson Meyer  出版社:Mit Pr  裝訂:精裝
Just as Carl Andre's sculptures are "cuts" of elemental materials, his writings arecondensed expressions, "cuts" of language that emphasize the part rather than the whole. Andre, acentral figure in mi
優惠價: 79 1650
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