Soviet and Russian filmmakers have traditionally had uneasy relationships to the concept of genre. This volume rewrites that history by spotlighting some genres not commonly associated with cinema in
Be they musicals or melodramas, war movies or animation, Russian films have a long and fascinating history of addressing the major social and political events of their time. From Sergei Eisenstein's a
Film emerged in pre-Revolutionary Russia to become the “most important of all arts” for the new Bolshevik regime and its propaganda machine. The 1920s saw a flowering of film experimentation, notably
Film emerged in pre-Revolutionary Russia to become the “most important of all arts” for the new Bolshevik regime and its propaganda machine. The 1920s saw a flowering of film experimentation, notably
This volume explores the cinema of the former Soviet Union and contemporary Russia, ranging from the pre-Revolution-ary period to the present day. It offers an insight into the development of Soviet f
The cinema of the Russia and the former Soviet Union ranges from the pre-Revolutionary period to the present day. It offers an insight into the development of Soviet film, from 'the most important of
Adored by Russian audiences for his commercially-oriented films, and loathed by the Russian intelligentsia for the same, Nikita Mikhalkov is one of the most successful, ambitious and controversial dir
Nikita Mikhalkov is one of the most important directors of Soviet and Russian cinema. "Burnt by the Sun," one of the first Russian films of the post-Soviet period to receive international acclaim and
This is the first book to deal exclusively with Russian cinema of the 1990s. It introduces readers to the currents and common interests of contemporary Russian cinema, offers close studies of the work
This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually resha
Alexander Sokurov's Russian Ark is generally acclaimed as a milestone in cinematography. In this film, Sokurov reversed the idea of montage, creating instead the sensation of an uninterrupted flow o
Cinema in Central Asia is the first comprehensive and up-to-date account of film in Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Featuring speci
This book examines the fate of post-Soviet press freedom and media culture in the context of the growing impact of globalisation. To understand the complicated situation that has arisen with respect t
This book explores developments in the Russian mass media since the collapse of the USSR in 1991. Complementing and building upon its companion volume, Television and Culture in Putin's Russia: Remote
This book explores developments in the Russian mass media since the collapse of the USSR in 1991. Complementing and building upon its companion volume, Television and Culture in Putin's Russia: Remote
Alongside the Arab Spring, the "Occupy" anti-capitalist movements in the West, and the events on the Maidan in Kyiv, Russia has had its own protest movements, notably the political protests of 2011-12
A study of Yury Lyubimov's tempestuous career and his style of theatre during his thirty years at the Taganka Theatre. This work traces the development of his ideas, from his arrival at the theatre in
A Companion to Russian Cinema?provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of