Mark Bassin

Since the Soviet Union collapsed in 1991, questions of identity have dominated the culture not only of Russia, but of all the countries of the former Soviet bloc. This timely collection examines the ways in which cultural activities such as fiction, TV, cinema, architecture and exhibitions have addressed these questions and also describes other cultural flashpoints, from attitudes to language to the use of passports. It discusses definitions of political and cultural nationalism, as well as the myths, institutions and practices that moulded and expressed national identity. From post-Soviet recollections of food shortages to the attempts by officials to control popular religion, it analyses a variety of unexpected and compelling topics to offer fresh insights about this key area of world culture. Illustrated with numerous photographs, it presents the results of recent research in an accessible and lively way.

Since the Soviet Union collapsed in 1991, questions of identity have dominated the culture not only of Russia, but of all the countries of the former Soviet bloc. This timely collection examines the ways in which cultural activities such as fiction, TV, cinema, architecture and exhibitions have addressed these questions and also describes other cultural flashpoints, from attitudes to language to the use of passports. It discusses definitions of political and cultural nationalism, as well as the myths, institutions and practices that moulded and expressed national identity. From post-Soviet recollections of food shortages to the attempts by officials to control popular religion, it analyses a variety of unexpected and compelling topics to offer fresh insights about this key area of world culture. Illustrated with numerous photographs, it presents the results of recent research in an accessible and lively way.

In the middle of the nineteenth century, the Russian empire made a dramatic advance on the Pacific by annexing the vast regions of the Amur and Ussuri rivers. Although this remote realm was a virtual terra incognita for the Russian educated public, the acquisition of an 'Asian Mississippi' attracted great attention nonetheless, even stirring the dreams of Russia's most outstanding visionaries. Within a decade of its acquisition, however, the dreams were gone and the Amur region largely abandoned and forgotten. In an innovative examination of Russia's perceptions of the new territories in the Far East, Mark Bassin sets the Amur enigma squarely in the context of the Zeitgeist in Russia at the time. Imperial Visions demonstrates the fundamental importance of geographical imagination in the mentalité of imperial Russia. This 1999 work offers a truly novel perspective on the complex and ambivalent ideological relationship between Russian nationalism, geographical identity and imperial expan

focuses on the new phenomenon of digital geopolitics in the former Soviet Union. It considers how media serve as platforms for the contestation of geopolitical ideas and the articulation of new politi

This collection explores Eurasianism and its interactions with and effects on political discourses, identity debates, and popular culture.

This collection explores Eurasianism and its interactions with and effects on political discourses, identity debates, and popular culture.

In The Gumilev Mystique, Mark Bassin investigates the complex structure of Lev Gumilev's theories, revealing how they reflected and helped shape a variety of academic as well as political and social d

In The Gumilev Mystique, Mark Bassin investigates the complex structure of Lev Gumilev's theories, revealing how they reflected and helped shape a variety of academic as well as political and social d

Between Europe and Asia analyzes the origins and development of Eurasianism, an intellectual movement that proclaimed the existence of Eurasia, a separate civilization coinciding with the former Russi

"By focusing on space and place, the essays in this volume open aspects of Russian history that have evaded the historian's gaze and give us a new sense of the visual and emotional realities of the Ru

focuses on the new phenomenon of digital geopolitics in the former Soviet Union. It considers how media serve as platforms for the contestation of geopolitical ideas and the articulation of new politi