ace the coding interview with Python and JavaScript

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin? Will she ever be able to share her new life with her beloved and now chronically befuddled husband? And on top of her profound isolation and confusion, Tara takes in with pain how slight a difference she makes in the world. (As she puts it: "That's how little the activities of one person matter on the eighteenth of November.")Balle is hypnotic and masterful in her remixing of the endless recursive day, creating curious little folds of time and foreshadowings: her flashbacks light

Winner of the Romulo Gallego Prize, The Abyss is a caustic masterwork of incredible power and force. The novel tells about the demise of a crumbling house in Medellin, Colombia. Fernando, a writer, visits his brother Dar甐, who is dying of AIDS there. Recounting their wild philandering and trying to come to terms with his beloved brother's inevitable death, Fernando rants against the political forces that cause so much suffering. He hurls vitriolic, savagely funny insults at his country ("I wipe my ass with the new Constitution of Colombia") and at his mother ("the Crazy Bitch") who has given birth to him and his many siblings. Within this firestorm of pain, Fernando manages to get across much beauty and truth: that all love is painful and washed in pure sorrow. And yet he loves his sick brother and the family's Santa Anita farm (the lost paradise of his childhood where azaleas bloomed); and he even loves his country, now torn to shreds. Always, in this savage masterpiece about loss--as

An epic storyteller with the most powerful voice in contemporary German literature, Jenny Erpenbeck has created an unforgettably compelling masterpiece with Kairos. The story of a May-December romance begun in East Berlin at the end of the 1980s: the passionate yet difficult long-running affair of Katharina and Hans hits the rocks as a whole world--the socialist GDR--melts away.In the opinion of her superbly gifted translator Michael Hofmann, Kairos is the great post-Unification novel. And, as The New Republic has commented on his work as a translator: "Hofmann's translation is invaluable--it achieves what translations are supposedly unable to do: it is at once 'loyal' and 'beautiful.'"

Lyrical and swashbuckling, tender and surreal, Gabriela Cabezón Camara’s new novel finds glimmers of hope for the future in the brutal history of colonial Latin AmericaWINNER OF THE NATIONAL BOOK AWARD FOR TRANSLATED LITERATUREDeep in the wilds of the New World, Antonio de Erauso begins to write a letter to his aunt, the prioress of the Basque convent he escaped as a young girl. Since fleeing a dead-end life as a nun, he's become Antonio and undertaken monumental adventures: he has been a mule driver, shopkeeper, soldier, cabin boy, and conquistador; he has wielded his sword and slashed with his dagger. Now, caring for two Guaran?girls he rescued from enslavement, and hounded by the army he deserted, this protean protagonist contemplates one more metamorphosis, which just might save the new world from extinction...Based on the life of Antonio de Erauso, a real figure of the Spanish conquest, We Are Green and Trembling is a queer baroque satire and a historical novel that blends element

In seventeenth-century Denmark, Christenze Kruckow, an unmarried noblewoman, is accused of witchcraft. She and several other women are rumored to be possessed by the Devil, who has come to them in the form of a tall headless man who gives them dark powers: they can steal people's happiness, they have performed unchristian acts, and they can cause pestilence or death. They are all in danger of the stake.The Wax Child, narrated by a wax doll created by Christenze Kruckow, is an unsettling horror story about brutality and power, nature and witchcraft, set in the fragile communities of premodern Europe.Deeply researched and steeped in visceral, atmospheric detail, The Wax Child is based on a series of real witchcraft trials that took place in Northern Jutland in the seventeenth century. Full of lush storytelling and alarmingly rich imagination, Olga Ravn also weaves in quotes from original sources such as letters, magical spells and manuals, court documents, and Scandinavian grimoires.