ace the coding interview with Python and JavaScript

This is the first book to demonstrate the value of prose analysis - both appreciative and interpretive in its 'evaluations' - across dozens of authors, including Jane Austen, Virginia Woolf, Don DeLillo, and Toni Morrison. The Value of Style in Fiction is designed not just for students and scholars of the English novel - and its verbal 'microplots' - but also for anyone interested in mastering the art of the sentence by 'writing along with' its finest examplars in a fully descriptive account: a stylistic challenge in its own right exemplified by Stewart's multifaceted critical modelling. Beginning with a state-of-the-field survey of prose poetics, this manual of invested reading concludes with an 'Inventory' of terms (bolded throughout) drawn primarily from grammar, rhetoric, etymology, and phonetics, but also narratology and poetic theory: a glossary whose consultation can help cross-map certain verbal tendencies in literary-historical evolution and its separate landmark writers.

This is the first book to demonstrate the value of prose analysis - both appreciative and interpretive in its 'evaluations' - across dozens of authors, including Jane Austen, Virginia Woolf, Don DeLillo, and Toni Morrison. The Value of Style in Fiction is designed not just for students and scholars of the English novel - and its verbal 'microplots' - but also for anyone interested in mastering the art of the sentence by 'writing along with' its finest examplars in a fully descriptive account: a stylistic challenge in its own right exemplified by Stewart's multifaceted critical modelling. Beginning with a state-of-the-field survey of prose poetics, this manual of invested reading concludes with an 'Inventory' of terms (bolded throughout) drawn primarily from grammar, rhetoric, etymology, and phonetics, but also narratology and poetic theory: a glossary whose consultation can help cross-map certain verbal tendencies in literary-historical evolution and its separate landmark writers.

In The One, Other, and Only Dickens, Garrett Stewart casts new light on those delirious wrinkles of wording that are one of the chief pleasures of Dickens’s novels but that go regularly unnoticed in D

In The One, Other, and Only Dickens, Garrett Stewart casts new light on those delirious wrinkles of wording that are one of the chief pleasures of Dickens’s novels but that go regularly unnoticed in D

The hero stands on stage in high-definition 3-D while doubled on a crude pixel screen in Billy Lynn's Long Halftime Walk. Alien ships leave Earth by dissolving at the conclusion of Arrival. An illusor

The hero stands on stage in high-definition 3-D while doubled on a crude pixel screen in Billy Lynn's Long Halftime Walk. Alien ships leave Earth by dissolving at the conclusion of Arrival. An illusor