and... and... and...

In his last years D. H. Lawrence often wrote for newspapers; he needed the money, and clearly enjoyed the work. He also wrote several substantial essays during the same period. This meticulously-edited collection brings together major essays such as Pornography and Obscenity and Lawrence's spirited Introduction to the volume of his Paintings; a group of autobiographical pieces, two of which are published here for the first time; and the articles Lawrence wrote at the invitation of newspaper and magazine editors. There are thirty-nine items in total, thirty-five of them deriving from original manuscripts; all were written between 1926 and Lawrence's death in March 1930. They are ordered chronologically according to the date of composition; each is preceded by an account of the circumstances in which it came to be published. The volume is introduced by a substantial survey of Lawrence's career as a writer responding directly to public interests and concerns.

D. H. Lawrence wrote his last novel, Lady Chatterley's Lover, three times in 1926–7, and it is the third version that has become famous. The three versions are in fact three different novels, varying greatly in length, a significant number of episodes, and even some of the main characters. This 1999 book contains a critical edition of the two early versions of the novel: the first in some ways the most realistic and spontaneous version, the second the longest and to many readers and critics the most successful version. The text is printed from its manuscript source, including numerous, sometimes extensive deletions and variations from the first printed editions. An introduction traces the genesis of the novel and gives an account of its publication and reception. There are also notes, explaining literary, historical and geographical names and allusions, and particular problems of manuscript transmission.

These two brilliant novels are deservedly among Lawrence's most popular works. Both are at the same time exciting narratives and striking expressions of Lawrence's philosophy. St. Mawr is the story of

Sketches of Etruscan Places contains seven essays D. H. Lawrence wrote in 1927 after visiting several Etruscan cities in central Italy. Six were published posthumously in 1932 as Etruscan Places; 'The Florence Museum' is published for the first time here. Some appeared in magazines in Lawrence's lifetime, but he expressed a wish that they be published in a volume with the photographs he had collected; in fact, only twenty of the forty-five illustrations here reproduced with Lawrence's own captions were included in 1932. Eight essays about Florence and the Tuscan countryside form the second part of this volume. The texts have been established by checking manuscripts, typescripts, proofs and periodical and book publications. The introduction gives the genesis, publication, textual history and reception of the essays.

The Cambridge edition of Lady Chatterley's Lover (and A Propos of 'Lady Chatterley's Lover') is the first ever to restore to Lawrence's most famous novel the words that he wrote. It removes typists' corruptions and compositors' errors, which have marred the text for over sixty years, and includes hundreds of new words, phrases and sentences - and thousands of changes in punctuation. This text projects the sound of Lawrence's voice, embodies the precision of his mature style and reveals the force of his rhetorical power. The introduction establishes an accurate history of composition, typing, printing, publication and reception; the notes freshly identify dozens of difficult allusions; and the appendix, an original essay, explains how Lawrence imaginatively weaves real places and people into the fictional tapestry that he creates. For students and scholars alike, the Cambridge text is the only text of the novel that can be read or quoted with confidence.

This volume contains 942 letters written between October 1916 to June 1921. These letters show the frustration he experienced in finding a publisher for Women in Love in the wake of the Rainbow prosecution. Concurrently he began to write the essays which subsequently formed Studies in Classical American Literature, he also planned and wrote a school textbook, Movements in European History. There were important changes in his business affairs: the beginning of his association with the American publisher Thomas Seltzer and the change from the literary agent Pinker to Mountsier in New York and Curtis Brown in London. There is a particularly interesting correspondence with Compton Mackenzie, and the rupture of his old friendship with Middleton Murry and Katherine Mansfield. This period was a turning point, the beginning of his break with England and with Europe, before he made his journey to Ceylon and Australia en route for the USA. Published in two volumes.

"THE BOTTOMS" succeeded to "Hell Row". Hell Row was a block of thatched, bulging cottages that stood by the brookside on Greenhill Lane. There lived the colliers who worked in the

The refined daughter of a "good old burgher family," Gertrude Coppard meets a rough-hewn miner, Walter Morel, at a Christmas dance and falls into a whirlwind romance characterised by