Introduction to JavaScript Object Notation

Euripides works with a common story pattern ¡ a young man (Hippolytus) becomes the object of a married woman's (Phaedra's) desire, rebuffs her sexual overtures, and is then falsely accused to the woma

This up-to-date edition offers a detailed literary and cultural analysis of Euripides' Helen, a work which arguably embodies the variety and dynamism of fifth-century Athenian tragedy more than any other surviving play. The story of an exemplary wife (not an adulteress) who went to Egypt (not to Troy), Euripides' 'new Helen' skilfully transforms and supplants earlier currents of literature and myth. The Introduction elucidates Euripides' treatment of Helen and sets the play in its wider intellectual context. It also discusses questions of genre and reception, rejecting such descriptions as 'tragicomedy' or 'romantic tragedy', and showing how later artists have responded to Euripides' unorthodox heroine and her phantom double. The Commentary's notes on language and style are intended to make Helen fully accessible to readers of Greek at all levels, while the edition as a whole is designed for use by anyone with an interest in Greek tragedy.

This up-to-date edition offers a detailed literary and cultural analysis of Euripides' Helen, a work which arguably embodies the variety and dynamism of fifth-century Athenian tragedy more than any other surviving play. The story of an exemplary wife (not an adulteress) who went to Egypt (not to Troy), Euripides' 'new Helen' skilfully transforms and supplants earlier currents of literature and myth. The Introduction elucidates Euripides' treatment of Helen and sets the play in its wider intellectual context. It also discusses questions of genre and reception, rejecting such descriptions as 'tragicomedy' or 'romantic tragedy', and showing how later artists have responded to Euripides' unorthodox heroine and her phantom double. The Commentary's notes on language and style are intended to make Helen fully accessible to readers of Greek at all levels, while the edition as a whole is designed for use by anyone with an interest in Greek tragedy.

This volume provides a thorough philological and dramatic commentary on Euripides' Phoenissae, the first detailed commentary in English since 1911. Phoenissae is of special interest both as a specimen of late Euripidean dramaturgy, and as the subject of longstanding disputes over the extent of interpolation and rewriting to be detected in it. This commentary aims to offer a balanced treatment of issues of language, style, structure, and dramatic technique as well as to explain the reasons for and uncertainties of the constitution of the text. The introduction treats the play's structure and themes, the possible date, the features of the original production, the varied background of Theban myth against which Euripides' choices and innovations may be judged, and general issues relevant to the problem of interpolation. The Greek text is that of the author's 1988 Teubner edition.

This up-to-date edition makes Euripides' most famous and influential play accessible to students of Greek reading their first tragedy as well as to more advanced students. The introduction analyzes Medea as a revenge-plot, evaluates the strands of motivation that lead to her tragic insistence on killing her own children, and assesses the potential sympathy of a Greek audience for a character triply marked as other (barbarian, witch, woman). A unique feature of this book is the introduction to tragic language and style. The text, revised for this edition, is accompanied by an abbreviated critical apparatus. The commentary provides morphological and syntactic help for inexperienced students and more advanced observations on vocabulary, rhetoric, dramatic techniques, stage action, and details of interpretation, from the famous debate of Medea and Jason to the 'unmotivated' entrance of Aegeus and the controversial monologue of Medea.

This volume provides a thorough philological and dramatic commentary on Euripides' Phoenissae, the first detailed commentary in English since 1911. Phoenissae is of special interest both as a specimen of late Euripidean dramaturgy, and as the subject of longstanding disputes over the extent of interpolation and rewriting to be detected in it. This commentary aims to offer a balanced treatment of issues of language, style, structure, and dramatic technique as well as to explain the reasons for and uncertainties of the constitution of the text. The introduction treats the play's structure and themes, the possible date, the features of the original production, the varied background of Theban myth against which Euripides' choices and innovations may be judged, and general issues relevant to the problem of interpolation. The Greek text is that of the author's 1988 Teubner edition.

Dionysus, god of wine and ecstasy, has come to Thebes, and the women are streaming out of the city to worship him on the mountain, drinking and dancing in wild frenzy. The king, Pentheus, denouces thi

First published in 1939, this book presents R. C. Trevelyan's English metrical translation of Euripides' Medea. The aim of the text was to reproduce the form, phrasing and movement of the original for the benefit of readers without knowledge of Greek. This book will be of value to anyone with an interest in English translations of ancient Greek drama and the works of Euripides.

A new god has come to Thebes - Dionysus, god of wine and ecstasy - and the women are streaming out of the city to worship him on the mountain, drinking and dancing in wild Bacchic frenzy. The king, Pe

Four plays by the Greek dramatist who started to interpret human behavior without reference to the wisdom of gods. @GoldenFarce Good, the gals stand outside my house all the time. The constant

Classical Greek drama is brought vividly to life in this series of new translations. The new versions remain faithful to the original Greek, yet the language has all the immediacy of contemporary Eng

I choose to take back my life.My life.Medea is a wife and a mother. She exacts an appalling revenge and destroys everything she holds dear.Ben Power's version of Euripides' tragedy Medea premiered at

The Medea, in spite of its background of wonder and enchantment, is not a romantic play but a tragedy of character and situation. It deals, so to speak, not with the romance itself, but with the end o

Euripides I: Alcestis, The Medea, The Heracleidae, Hippolytus written by legendary tragedian Euripides is widely considered to be among greatest Greek Tragedies of all time. This combinations great cl