Alien Books

Books XVII and XVIII of the Odyssey feature, among other episodes, the disguised Odysseus' penetration of his home after an absence of twenty years and his first encounter with his wife. The commentary provides linguistic and syntactical guidance suitable for upper-level students along with detailed consideration of Homer's compositional and narrative techniques, his literary artistry and the poem's central themes. An extensive introduction considers questions of formulaic composition, the nature of the poem's audience and the context of its performance, and isolates the concerns most prominent in the poem's second half and in Books XVII and XVIII in particular. Here too are considered the roles of Penelope and Telemachus, questions of disguise and recognition, and the institution of hospitality flaunted by the suitors in Odysseus' halls. Brief sections also discuss Homeric metre and the transmission of the text.

Books XVII and XVIII of the Odyssey feature, among other episodes, the disguised Odysseus' penetration of his home after an absence of twenty years and his first encounter with his wife. The commentary provides linguistic and syntactical guidance suitable for upper-level students along with detailed consideration of Homer's compositional and narrative techniques, his literary artistry and the poem's central themes. An extensive introduction considers questions of formulaic composition, the nature of the poem's audience and the context of its performance, and isolates the concerns most prominent in the poem's second half and in Books XVII and XVIII in particular. Here too are considered the roles of Penelope and Telemachus, questions of disguise and recognition, and the institution of hospitality flaunted by the suitors in Odysseus' halls. Brief sections also discuss Homeric metre and the transmission of the text.

This is the first self-contained edition of Odyssey Books VI–VIII which together form a popular introduction to Homer for students of Greek, containing as they do the account of Odysseus' visit to the Phaeacians and including such famous episodes as Odysseus' meeting with Nausicaa, and the singing of the minstrel Demodocus. While not neglecting matters of language and formulaic composition, the Commentary aims especially to provide guidance on questions of literary and narrative technique and poetic artistry. The Introduction deals with the problem of Homeric composition in general, and with the place of the Phaeacian books in the poem as a whole. There are brief section on Homeric metre and the text. The edition is intended for students beginning their study of Homer as well as for more advanced scholars.

The Odyssey, besides being one of the world's first and best adventure stories, is a poem of great subtlety, rich in irony and sophisticated characterisation. The poet's art is amply illustrated by books XIX and XX, in which Odysseus, disguised as a beggar, spends the night in his own palace and lays plans for his awesome revenge. Particularly memorable is the episode in which Penelope converses with her husband without suspecting his identity. In this edition, Richard Rutherford provides not only detailed comment on the action, characterisation and style of the books in question, but also, in an extensive introduction, a general survey of the Odyssey as a whole, laying special emphasis on the qualities of the second half of the poem. He also attempts to contribute to the literary criticism of the poem on a verbal level, by considering the poet's use of formulae, rhetorical technique and similes. This volume is intended for readers of the Odyssey at all stages. The commentary gives ext

One of the most diverse books in the Iliad, Book III moves between intimate scenes in the heart of Troy and scenes serious and comic on the battlefield. It describes a major ritual in an elaborate oath-swearing, assigns a major role to divine intervention, introduces and characterises the main Trojan actors and reveals more about their Greek counterparts. The commentary discusses the styles of Homeric narrative, illustrating especially its economy and sophisticated handling of different time-scales. It situates the Iliad in its broad cultural and historical contexts, through consideration of the relationships between Greece and the Anatolian, Mesopotamian and ancient Indian cultures, particularly regarding shared story-patterns and ritual activity. An account is given of Troy's relationships with the Hittite empire and the vexed question of the historicity of the Trojan War. Also provided is a full historical account of Homeric language. The edition will be indispensable for students a

One of the most diverse books in the Iliad, Book III moves between intimate scenes in the heart of Troy and scenes serious and comic on the battlefield. It describes a major ritual in an elaborate oath-swearing, assigns a major role to divine intervention, introduces and characterises the main Trojan actors and reveals more about their Greek counterparts. The commentary discusses the styles of Homeric narrative, illustrating especially its economy and sophisticated handling of different time-scales. It situates the Iliad in its broad cultural and historical contexts, through consideration of the relationships between Greece and the Anatolian, Mesopotamian and ancient Indian cultures, particularly regarding shared story-patterns and ritual activity. An account is given of Troy's relationships with the Hittite empire and the vexed question of the historicity of the Trojan War. Also provided is a full historical account of Homeric language. The edition will be indispensable for students a