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本書《James》由 Percival Everett 重新演繹《The Adventures of Huckleberry Finn》，以被奴役的 Jim 為主角，從另一個視角描繪密西西比河上的旅程。故事以 1861 年為背景，Jim 為避免與家人分離而逃離故地，與假死脫身的 Huck Finn 一同踏上不確定的河上旅途。作者以冷靜而銳利的筆法，讓經典文本獲得新的深度，對權力、身份與自由提出直接而細膩的觀察。閱讀時能感受到幽默與諷刺交織，但敘事始終保持沉著。作為當代重要小說之一，本書既具可讀性，也富含思辨的餘韻。• 獲 Pulitzer Prize、National Book Award、Andrew Carnegie Medal 等多項大獎• 從 Jim 的角度重述經典，重新審視自由與人性• 語氣沉著，兼具諷刺、幽默與深刻洞察• 適合議題閱讀、經典再詮釋與文學研究讀者An immensely powerful and bitingly satirical retelling of Mark Twain’s The Adventures of Huckleberry Finn from the perspective of Huck’s friend, the enslaved Jim.'Truly extraordinary books are rare, and this is one of them' – Roddy DoyleJames is a profound and ferociously funny novel from one of our greatest living writers, Percival Everett.The Sunday Times BestsellerWinner of the Pulitzer Prize for FictionWinner of the National Book Award for FictionWinner of the Andrew Carnegie Medal for Excellence in FictionShortlisted for the Booker PrizeShortlisted for the Dublin Literary AwardFinalist for the Orw

PULITZER PRIZE WINNER • #1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and darkly humorous, told from the enslaved Jim's point of viewNATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR • SHORTLISTED FOR THE BOOKER PRIZE • KIRKUS PRIZE WINNER • A LOS ANGELES TIMES BEST FICTION BOOK OF THE LAST 30 YEARSIn development as a feature film to be produced by Steven Spielberg • A Best Book of the Year: The New York Times Book Review, LA Times, The New Yorker, The Atlantic, The Economist, TIME, and more."Genius"—The Atlantic • "A masterpiece that will help redefine one of the classics of American literature, while also being a major achievement on its own."—Chicago Tribune • "A provocative, enlightening literary work of art."—The Boston Globe • "Everett’s most thrilling novel, but also his most soulful."—The New York TimesWhen Jim over

An arresting story of parental love, loss and grief from one of America's finest writers.'[Percival Everett's] books always feel like an encounter with substantive, playful thinking . . . sad, affecting and marvelous' New York TimesA finalist for the Pulitzer Prize in Fiction, Telephone is an astonishing story of love, loss and grief from Percival Everett, author of The Trees, Dr No and Erasure (now an Oscar-nominated film).Zach Wells is a perpetually dissatisfied geologist-slash-paleobiologist. Expert in an incredibly niche field, he spends his days playing chess with his daughter, trading puns with his wife as she does yoga, and dodging committee work at the college where he teaches.After his daughter is diagnosed with a fatal illness, Wells finds a cryptic plea for help tucked into a secondhand jacket bought online. Desperately seeking a way avoid his newfound sense of powerlessness, he embarks for New Mexico on a quixotic rescue mission.Part of the Picador Collection, a series cele

A baffling triptych of murder mysteries by the author of The Trees and James.In Assumption, the follow-up to the wickedly funny I Am Not Sidney Poitier, Percival Everett is in top form as he once again upends our expectations about characters, plot, race, and meaning.Ogden Walker, deputy sheriff of a small New Mexico town, is on the trail of an old woman’s murderer. But at the crime scene, his are the only footprints leading up to and away from her door. Something is amiss, and even his mother knows it. As other cases pile up, Ogden gives chase, pursuing flimsy leads for even flimsier reasons. His hunt takes him from the seamier side of Denver to a hippie commune as he seeks the puzzling solution. A wild ride to the heart of a baffling mystery, Assumption is a literary thriller like no other from the author of Erasure, now an Oscar-nominated feature film.Part of the Picador Collection, a series celebrating fifty years of Picador books and showcasing the best of modern literature.

A brilliantly postmodern set of short stories from one of America's most inventive living writers.Damned If I Do is a set of brilliantly postmodern short stories from Percival Everett, author of The Trees, Dr No and Erasure, now an Oscar-nominated film.An artist, a cop, a cowboy, several fly fishermen and even a reluctant romance novelist inhabit these revealing and often hilarious stories. An old man ends up in a high-speed chase with the cops after stealing the car that blocks the garbage bin at his apartment building. A stranger gets a job at a sandwich shop and fixes everything in sight: a manual mustard dispenser, a mouthful of crooked teeth, thirty-two parking tickets and a sexual identity problem.Everett skewers race, class, identity, surrealism and much more in this masterful short story collection from one of America's most inventive living writers.Part of the Picador Collection, a series celebrating fifty years of Picador books and showcasing the best of modern literature.&nb

A brilliant satire of mistaken identity, race and class in America.I Am Not Sidney Poitier is a comic tour de force from the Pulitzer Prize-nominated author of The Trees, Dr No and Erasure (adapted into an Oscar-nominated film).The sudden death of Not Sidney Poitier’s mother orphans him at age eleven. He is left with a name no one understands, an uncanny resemblance to an Oscar-winning actor, and serious amount of shares in the Turner Corporation.Percival Everett’s novel follows Not Sidney’s tumultuous life, as the social hierarchy scrambles to balance his skin colour with his fabulous wealth. Maturing under the less than watchful eye of his adopted foster father, Ted Turner, Not Sidney learns to navigate a world that doesn’t know what to do with him.This novel ranks as one of the greatest achievements of Percival Everett, an overlooked master of American storytelling.

A surrealist exploration of truth, fiction, and narrative itself, from the Pulitzer Prize-nominated author of The Trees, Dr No and Erasure.Finalist for the Los Angeles Times Book PrizeFinalist for the PEN / Faulkner Award for FictionPercival Everett by Virgil Russell is a story inside a story inside a story. A man visits his ageing father in a nursing home, where his father writes the novel he imagines his son would write. Or is it the novel that the son imagines his father would imagine, if he were to imagine the kind of novel the son would write?Not only is Percival Everett by Virgil Russell a powerful, compassionate meditation on old age and its humiliations, it is an ingenious culmination of Everett’s recurring preoccupations. All of his prior work, his metaphysical and philosophical enquiries, his investigations into the nature of narrative, have led to this masterful book.Part of the Picador Collection, a series celebrating fifty years of Picador books and showcasing the best of

Percival Everett's deadpan humor and insightful commentary about the artistic life culminate in a gorgeous novel.‘Absorbing in its simplicity about bourgeois banality and the quest for expression’ New York TimesSo Much Blue is a gorgeous novel about art, memory and self-deception from the author of Erasure, now an Oscar-nominated film.Kevin Pace is working on a painting that he won't allow anyone to see: not his children; not his best friend, Richard; not even his wife, Linda. The painting is a canvas of twelve feet by twenty-one feet and three inches, covered entirely in shades of blue. It may be his masterpiece or it may not; he doesn't know, nor does he particularly care.What Kevin does care about are the events of the past: the affair he had with a young artist in Paris ten years ago and, further back, his journey to an El Salvador on the brink of war to retrieve Richard’s drug-dealing brother. So Much Blue is a brilliant examination of how the past collides with present, and the s

Training horses is dangerous - a head-to-head confrontation with 1,000 pounds of muscle takes courage. Highly praised for his storytelling and ability to address the toughest issues of our time with a

Avant-garde novelist and college professor, woodworker, and fly fisherman - Thelonious Ellison has never allowed race to define his identity. But as both a writer and an African American he is offende