Poetry. California Interest. Art. PAINTING (2.4.97 - 4.21.97) transcribes perceptions of 'real' things, demonstrate how the three- dimensional world might be 'registered' in lines running clear across
Poetry. "Ratcliffe's site-based poetry channels the complex, intermeshing, and endlessly variable dimensions of place. Its calendar perpetually marks this very day. Things seen and heard through the '
Drama. Literary Nonfiction. Literary Criticism. READING THE UNSEEN: (OFFSTAGE) HAMLET is about the presence and significance of offstage action in Hamlet, things we hear about in words but do not see
Poetry. Stephen Ratcliffe has been performing daily writing since 1999, when he began with PORTRAITS & REPETITION. Through a daily practice of acute perception of landscape and the experience of p
Poetry. This major work of poetry, written with a form and texture reminiscent of musical score, takes its inspiration form Gertrude Stein's lectures on art and writing. "You can read them li
Poetry. "In these seeming stage directions for the 'play of the moment' the characters face each other in multiple scenes of house, water, land and weather. The whole story rumbles through like a rele
Poetry. Things happen fast and abundantly as perceived in the present tense. Not that the present isn't "selected" as much as the past is, but being less a function of memory and more of attention to
Poetry. REAL, a long poem composed of 474 "frames" written in 474 consecutive days, continues the project Ratcliffe began in Portraits & Repetition (The Post-Apollo Press, 2002): to writ
Written between June 1, 1991 and January 31, 1992 the poems of this volume employed the letters of Henry James as a source in order to explore the poetics of narrative, sound as thought and the shape
Poetry. Stephen Ratcliffe's new collection is a rift of poems which pluck a few words from Shakespeare's sonnets and on that absent space create their own space and shape: "to still all one n
Poetry. In DISTANCE, Stephen Ratcliffe has written a series of one hundred long-lined poems using words and phrases drawn from the language of literature, science, etymology, history, geology, geograp
