Poetry. Latinx Studies. YAVIZA, the title of Roberto Harrison's new book, is also the name of a small Panamanian jungle town with a declining population and a colonized history. YAVIZA marks the end o
Poetry. The poems in this book are attempts at keeping time. A sonnet sequence constructed by writing one line a day with a month passing in between every line of each sonnet, and each of the lines tw
Poetry. A collection twenty years in the making, THE BRIGHT RED HORSE—AND THE BLUE— is a meditation on longing, love, and heart break as they manifest in lyric form. A series of thirty- on
Poetry. Prose. Art. Hybrid Genre. Performance Studies. Includes 32 pages of full–color textscapes, 25 half–tone documentary photos, and cover art by the author. THE REPUBLIC OF EXIT 43 is a verbal/vis
In MERRY HELL, Helen of Troy exposes the "misogynist spell" of the traditional (patriarchal) narrative that condemns her for the horrors of the Trojan War and insists "LET ME TELL YOU ALL THE TRUTH OF
Poetry. LGBTQIA Studies. WEAK LINK is an interstitial work containing poems, poem-essays, prose sequences, letters, translations, exercises, and manifestos. Everything collected in it has been recover
Poetry. Music. THE COFFIN NAIL BLUES is Ted Pearson's latest work, comprising sixty-four poems in eight movements. In these poems, the spirit of the blues suffuses a formally concise blend of epigram
Cultural Writing. Drama. Murray Edmond's NOH BUSINESS is a skillful weave of his meditations on the Eastern Noh style of theatre and its connections with Western poetry and theatre. He includes in his
Fiction. "ULTRAVIOLETA is in the first place a mind that is spacious, with spangled depths on the order of William Blake and Phillip K. Dick. Our Mental Travelers are shining, friendly, off-hand
Poetry. Six years after the publication of ROARING SPRING, Steve Benson gives us his 8th book of poetry, OPEN CLOTHES from Atelos. Benson has long been associated with the Language Poets, particulary
Poetry. A New Yorker his entire life, Greenwald's work always involves linguistic and formal invention. These poems stutter between linguistic strata, dissecting lingo down to the level of maximally l
Poetry. If Jelly Roll Morton should meet Emily Dickinson in 21st-century Las Vegas to compose occasional metaphysical stanzas, the result might resemble Kit Robinson's THE CRAVE: beautiful, strange, a
