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Vahni Capildeo’s new book lives with things – carefully, lovingly: with glass, with moss, with stone. Venus as a Bear places the non-human world at its center, tenderly disclosing the ways in which it

The Multiverse sings of science, philosophy, and religion, testing the emotional valences of each. It sings in a variety of strictly observed metres and with rhyme, and the poems subtly find their way

Crossing the Mirror Line, the stunning debut from Judith Willson, explores doubleness; the unsettling symmetries of mirrored reflections, the magician’s disorientating art that ‘makes nothing appear’. Artists’ mannequins and watchful children stand at an angle to the familiar world; an estuary elides distinctions between land and sea. Like the eighteenth-century artists’ landscape mirror that reconfigured the relationship between the viewer and what is viewed, these poems are concerned with looking, how it selects and transforms what is seen. Their landscapes are borders and boundaries, places shaped by the persistance of a past which still presses close to the surface, its meanings as unstable as the play of light. The poems echo with stories and songs in which elusive histories are glimpsed, fragments remembered in the deep strata. Objects carry stories of their travel through time concealed within them: the poems ‘reach through thick folds into pockets / for a letter or a glove’.

Zoology is Gillian Clarke’s ninth Carcanet collection, following her T. S. Eliot Prize-shortlisted Ice. The collection opens with a glimpse of hare, whose "heartbeat halts at the edge of th

Following on from her 2013 T.S. Eliot Prize-winning Parallax, the inaugural Poet Laureate of Belfast, Sinead Morrissey, returns with a poignant and compelling new collection which evokes the atmospher

Miles Burrows is a man always in love, and confused as lovers have to be by the inconstant nature of ?the other’. With Waiting for the Nightingale, he expresses social class anxiety, nostalgia and the

Price’s most ‘live’ or ‘performative’ work to date, the poems in Moon for Sale are sensual and shapeshifting and unfold like a series of haunting dreams. The collection begins with a poem about the ar

Alex Wong's debut collection Poems Without Irony is a miscellaneous assemblage of aesthetic experiments with diction, syntax and verse form. They are poems produced in an irony-free environment and de

Nina Bogin writes of her second collection that she has drawn together poems that deal with the personal - family, friendship, love and loss; poems about landscape and place; and poems that try to com

The virtuosity and high spirits of Sophie Hannah's poems are unusual at any time of day. She handles rhymed metrical forms with wily insouciance and passes the 'memorability test' with flying colors.

The July-August 2017 issue of PN Review, one of the most outstanding poetry journals of our time. This issue's highlights: • Discovered: an unpublished letter from George Washington! • E

The March-April 2018 issue of PN Review, one of the most outstanding poetry journals of our time. This issue's highlights include: winners and commendations from the PN Review Prize; a celebration

John F. Deane’s poetry of Christian belief in a decisively secular age explores how redemption and renewal might emerge. He writes in the sincere, troubled, wide-awake tradition of Gerard Manley

Martina Evans’s Now We Can Talk Openly about Men is a pair of dramatic monologues, snapshots of the lives of two women in 1920s Ireland. The first, Kitty Donovan, is a dressmaker in the time of

A Poetry Book Society Spring 2018 Recommendation. Wandering in central Europe, a traveller observes and records a landscape of lakes, folk culture and uneasy histories. Phoebe Power’s Shri

Oli Hazzard’s Blotter consists of five sequences, each constructed using a different process. In "Graig Syfyrddin" notes on hillwalking in the Welsh marches – the poet&rsquo

Rough Breathing is a substantial selection from thirty years of procedurally and formally inventive writing from poet, editor and art critic, Harry Gilonis. A lively, lyrical and clever collection, th

The May-June 2017 issue of PN Review, one of the most outstanding poetry journals of our time.

The September-October 2017 issue of PN Review, one of the most outstanding poetry journals of our time. This issue's highlights: Major new sequence of poems by Simon Armitage; New light on Ernest

Tender, exuberant and deliciously dark, Claudine Toutoungi's debut collection evokes the surreal humor of Matthew Sweeney and the candor of Emily Berry, while remaining disarmingly fresh in its bl

Waterman's debut collection was at times intensely personal, including poems about growing up in the wake of a parental split across two countries. His second does not eschew equally personal them

On Trust: A Book of Lies, James Womack’s second collection of poems, is organised around the notion of telling the truth. Working against ideas of poetry as a vehicle for displaying individual t

In his bold new collection, David Morley, winner of the Ted Hughes Award, casts off the worlds of myth and magical fable to focus on the fiercely personal. "Love teaches you how to mind / And how

Winner of the 2017 Poetry Book Society Winter Choice Award. Contains the poem "Joy" - Winner of the 2016 Forward Prize for Best Single Poem. Sasha Dugdale’s fourth Carc

The twelfth year of the incredibly successful anthology of the BBC National Short Story Award shortlist. This year, no.1 bestselling author Joanna Trollope will be chairing the judging panel, taking

stack is a book-length poem, and the début Carcanet title of one of the UK’s rising poetry talents. Described by its author as a document of "minimalist interventions", the

Who is Dustie-Fute? A vagrant, a hawker, a poet. A dustyfooted Scottish Orpheus. A stranger, a migrant, a ghost. In his search for Dustie-Fute, David Kinloch begins amid the Parisian floods of 1910: w

A 2017 Poetry Book Society Recommendation Shortlisted for The Forward Prize for Best Collection 2017 Following her 2013 debut This is Yarrow (winner of the Seamus Heaney Prize and the

Diary of the Last Man sees climate change meet post-Brexit British politics, as Robert Minhinnick walks between the river mouths of his home in Wales, head full of the sands of Babylon. This is a book

The Jan-Feb 2017 issue of PN Review, one of the most outstanding literary journals of our time.

The Mar-Apr 2017 issue of PN Review, one of the most outstanding literary journals of our time.

Characterised by a rigorous attention to each word’s layers of etymology or latent semantic possibilities, Eric Langley’s debut collection takes its cue from the art-conservation technique of ?raking

Long Pass is narrated by people who set out to communicate something simple and heartfelt, and who get caught up mid-expression in the social and linguistic complexities of communication: how can we s

Peelin Orange is the definitive Collected Poems by one of Jamaica's leading voices, the current Poet Laureate, Mervyn Morris. These poems explore the everyday, the erotic, love and the melancholy and

The Autumn 2016 issue of PN Review, one of the most outstanding literary journals of our time.

Alain-Fournier, the pseudonym of Henri-Alban Fournier, had a brief but significant literary career as the author of Le Grand Meaulnes (1913), which today is considered a classic of French literature.

The Spring/Summer 2016 issue of PN Review, one of the most outstanding literary journals of our time.

The Summer 2016 issue of PN Review, one of the most outstanding literary journals of our time.

The Spring 2016 issue of PN Review, one of the most outstanding literary journals of our time.

The Winter 2015 issue of PN Review, one of the most outstanding literary journals of our time.