Introduction to JavaScript Object Notation

Walt Whitman's short stint in New Orleans during the spring of 1848 was a crucial moment of literary and personal development, with many celebrated poems from Leaves of Grass showing its influence. Walt Whitman's New Orleans is the first book dedicated to republishing his writings about the Crescent City, including numerous previously unknown pieces. Often spending his afternoons strolling through the vibrant city with his brother in tow, the young Whitman translated his impressions into short prose sketches that cataloged curious sights, captured typical characters one might meet on the levee, and joked about the strangeness of urban life. Including the first complete run of a fictional, multipart series titled "Sketches of the Sidewalks and Levee," Walt Whitman's New Orleans pairs his glimpses of the city with historical illustrations, supplementary texts, detailed annotations, and an introduction by editor Stefan Sch鐽erlein that offers new insights on the poet's southern sojourn. Wh

A son searches for his father, only to grow uncomfortable--and even miserable--with what he exhumes. Where, he asks, are the limits of forgiveness? Is failure a badge of honor? Are we free to share the secrets of the dead? In Return of the Lost Son, a vivid, tightly paced memoir, Christopher Gonzales attempts to understand a man who, due to early-onset Alzheimer's, was unable to share his own memories. At the outset of his exploration, Gonzales hopes to discover a benevolent father figure, someone he could imagine guiding him through the difficult terrain of life. Instead, he is met with shadowy fragments of his father's habits--drinking, womanizing, and aloofness--as well as a hidden marriage, which all force Gonzales to acknowledge that he might never uncover the angel he hoped to find. Constructed with clear-eyed prose and abounding with colorful travel stories, wending inner journeys, and psychological intricacies, Return of the Lost Son emerges from a committed project of asking

A New Way of Seeing considers the poetry of five writers--Louis Simpson, Keith Douglas, Richard Hugo, Howard Nemerov, and Randall Jarrell--whose work draws on their activities as soldiers in World War II. Basing his examination on extensive primary-source research, Michael Sarnowski identifies distance, both literal and figurative, and traumatic memory as two interconnected elements of how these poets internalized the war and made sense of the events they witnessed. The book is structured on a gradient related to each poet's proximity to combat, as the chapters in turn focus on an infantryman (Simpson), a tank commander (Douglas), a bombardier (Hugo), a pilot (Nemerov), and a stateside flight instructor (Jarrell). Sarnowski relies on a wealth of archival material overlooked by previous scholarship, including poem drafts, correspondence, flight logs, and personal belongings. The conclusion revisits notions of legacy and representation by assessing factors that contributed to the early

Preserving the Legacy offers a comprehensive and compelling look at the founding and first two decades of The National WWII Museum, now one of the largest and most immersive military museums in the United States. Before its inception, friends and historians Gordon H. "Nick" Mueller and Stephen E. Ambrose recognized the need for an institution dedicated to preserving the oral histories of WWII veterans and the history of World War II more generally. Their efforts resulted in the opening of the D-Day Museum on June 6, 2000. With funding from the federal government, the state of Louisiana, and numerous individuals--including actor Tom Hanks and director Steven Spielberg--the Museum rapidly expanded. Following Ambrose's death in 2002, the U.S. Congress designated the institution as "America's National World War II Museum." Today it consists of seven separate pavilions that span the entirety of the war and boasts several multifaceted educational programs, many of which are held in the Museu

How close can a person come to home when their family has deserted it? Guided by this question, the poems in Nida Sophasarun's Novice traverse natural, animal, and dream worlds, seeking intimacy in a snake coming in from the rain, a mother's body imagined as a house, and the moon serving as both the missing piece and the linchpin in a night sky. Organized by tropical seasons and unfolding in Asia and the American South, Novice proposes that home is monumental and ruined, remembered and forgotten, local and diffuse, peopled and haunted.

The American Civil War saw the creation of the largest, most potent artillery force ever deployed in a conflict fought in the Western Hemisphere. It was as sizable and powerful as any raised in prior European wars. Moreover, Union and Confederate artillery included the largest number of rifled pieces fielded in any conflagration in the world up to that point. Earl J. Hess's Civil War Field Artillery is the first comprehensive general history of the artillery arm that supported infantry and cavalry in the conflict. Based on deep and expansive research, it serves as an exhaustive examination with abundant new interpretations that reenvision the Civil War's military. Hess explores the major factors that affected artillerists and their work, including the hardware, the organization of artillery power, relationships between artillery officers and other commanders, and the influence of environmental factors on battlefield effectiveness. He also examines the lives of artillerymen, the use of

In Combating Injustice, Jon Falsarella Dawson approaches American literary naturalism as a means of social criticism, exploring the powerful economic arguments and commentaries on labor struggles presented in novels by Frank Norris, Jack London, and John Steinbeck. Making use of extensive archival research, Dawson considers many of the original periodical sources that fueled books from McTeague to The Grapes of Wrath, as Norris, London, and Steinbeck transformed contemporary materials into illustrations of the socioeconomic forces that shape American life. By depicting the operations of powerful individuals and institutions, these naturalist writers offered audiences a greater awareness of the plight of labor so that readers might find the inspiration to become agents of change. Works such as The Octopus, The Iron Heel, Martin Eden, and In Dubious Battle illuminate many of the central economic issues at play in the United States during the late nineteenth and early twentieth centur