ActionScript Developer's Guide to PureMVC

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This book explores how to deeply appreciate drama. It begins with the purpose of drama, then proceeds to discuss script structure, tragedy, comedy, serious drama, literary merit, and dramatic elements, finally offering insights into how to judge a play. The author argues that drama is not merely a performance in a theater, nor simply text on a page; it is neither the playwright's personal statement nor a thread connecting the cultures that gave rise to it. Each reader can analyze the meaning, structure, and symbolism of drama according to their own feelings and pace, fully enjoying the pleasure it offers. 本書為英文書。內容探討如何深度欣賞戲劇。由戲劇的目的談起，接續展現劇本結構、悲劇、喜劇、嚴肅劇、文學性、戲劇元素等，最後提出如何評判一齣劇的看法。作者認為，戲劇不僅僅是劇院裡的演出，也不只是一頁紙上的文字；它既不是劇作家的個人陳述，也不是產生它的文化的線索，每一位閱聽者都可以按自己的感受與節奏對戲劇的意義、結構和象徵性進行分析，以充分享受它帶來的樂趣。

Prof. William S-Y. Wang, an eminent linguist, has made significant contributions to the field regarding lexical diffusion, experimental phonetic studies, language simulation and modeling, and aging and language. To celebrate his 90th birthday, colleagues and friends worldwide have contributed over 30 articles to a two-volume Festschrift. The English volume includes topics such as Chinese language evolution, the relationship between language and music, and the brain processes involved in language production. This Festschrift is written by and for experienced language researchers and is also suitable for students of Chinese linguistics and those interested in Chinese culture, history, and neurology.

We visit Earth in current life and maybe head to others in next. It is our instinct to carry over DNA in reincarnation, to taste unknown desires, and to experience seven emotions with six sensory pleasures; however, everything in action shall be as nature as possible. Nobody really knows who dominate on life-stage, it can be actor/actress themselves, or drama writer, else screen director, or else audience instead. Metropolitan exits with multiple values; usually, cause of event is unclear to define from individual’s irrationally protection of interest or selfishly defending portion of pie. People usually capture one section of story and miss the other part of puzzle. Living chaos is daily usual. no matter you are wealthy, majestic, poor, or underclass, once doom day arrives, bell on stage rings off, curtain pulls down, light shuts off, everything is buried under dirt of history. No matter how successfully achieved in history, or how remarkably accomplished in professional field; it

In Modern Chinese Counter-Enlightenment: Affect, Reason, and the Transcultural Lexicon, Peng Hsiao-yen argues that a trend of Counter-Enlightenment had grown from the late Qing to the May Fourth era in the 1910s to the 1920s and continued to the 1940s. She demonstrates how Counter-Enlightenment was manifested with case studies such as Lu Xun’s writings in the late 1900s, the Aesthetic Education movement from the 1910s to 1920s, and the Science and Lifeview debate in the 1920s. During the period, the life philosophy movement, highlighting the epistemic debate on affect and reason, was connected with its counterparts in Germany, France, and Japan. The movement had widespread and long-term impact on Chinese philosophy and literature. Using the transcultural lexicon as methodology, this book traces how the German term Lebensanschauung (lifeview), a key concept in Rudolf Eucken’s life philosophy, constituted a global tide of Counter-Enlightenment that inspired the thought of leading Chinese

Build for a Vibrant Future We all face environmental issues such as oceanic warming, glacier calving, spreading pollution, and species extinctions. Because of this, national governments around the world are trying to deal with the problems in every possible way, from policy, to investment, to education, and more.

How do public markets, as ordinary as they seem, carry the weight of a city’s history? How do such everyday buildings reflect a city’s changing political, social, and economic needs, through their yearslong transformations in forms, functions, and management? Integrating architecture and history, this book invites readers to go through the growth and governance of colonial Hong Kong by tracing the past and present of public markets as a study of extensive firsthand historical materials. As the readers witness the changes in Hong Kong markets from hawker pitches to classical market halls to clean modernist municipal complexes, the book offers a new perspective of understanding the familiar everyday markets with historical contexts possibly unfamiliar to most, studying markets as a microcosm of the city and a capsule of its history. This book is a robust and in-depth study of the market building history of Hong Kong since the 1840s and contributes to a holistic understanding of everyday

COVID-19 alongside the Russia-Ukraine war have brought about an enormous across-the-globe impact to demonstrate no one can remain insulated from the global change. US-China’s rivalry, coupled with Japan’s and Korea’s ceaseless moves, plus ASEAN countries’ & South Asian nations’ significant advances are likely to herald an era of unprecedented change. Is Taiwan well prepared to avert falling victim to the war of two superpowers? Never count on a handful of aces up your sleeve, a game-changer may just turn your longstanding advantage into a future liability. Semiconductors and the supply chains are Taiwan’s most significant strategic assets to engage with the international community. In retrospect, Taiwan’s semiconductor industry led by industry leaders like Morris Chang and Ming-Kai Tsai, had achieved a global leading position. Corporate strategies employed by Taiwan’s representative rivals as Intel, U.S. and Samsung, Korea all feed into their distinct future development. Semiconducto

This book containing lectures and review on Shakespeare’s work has met a need long felt by the Chinese college students, especially those in the department of foreign languages and literature. The life of Shakespeare are well selected and the lectures beautifully written. Thus it will serve not only as an introduction to Shakespeare, but also as a good text-book for those beginners who study Shakespeare both in the Chinese colleges and universities. Professor Lee is to be credited painstaking work in shooting the two birds with one stone. It is really an excellent brief work and a fresh approach to the Shakespearean study. 本書為全英文書。內容收錄了莎士比亞作品講義和評論的書籍，滿足了許多外語和文學系學生長期以來的需求。書中對莎士比亞生平的選段精挑細選，講義文筆優美。因此，它不僅可以作為莎士比亞入門讀物，也可以作為大學中莎士比亞研究初學者的優秀教材。李教授的辛勤付出值得稱讚，可謂一舉兩得。這真是一部精煉而優秀的莎士比亞研究著作，為莎士比亞研究提供了一種全新的視角。

In this ground-breaking, posthumous study, the late Lo Jung-pang discusses the geographic, political, and commercial factors that led to the emergence of seapower and a navy under the Ming. While Zheng He and his seven expeditions have received some scholarly attention, few understand the long history of maritime engagement which provided the nautical and technical background for these voyages. The evolution of this maritime engagement and its extension into the Indian Ocean is the focus of Lo’s still-timely and highly significant work. In addition to detailing the rise of the Ming navy and its extraordinary accomplishments, Lo also examines some of the factors that led to the end of China’s first great maritime era: Why did China suddenly seem to turn away from the seas? Were the military defeats in Annam and on the northern borders significant in this? Or were financial pressures key? Empire in the Western Ocean represents the most comprehensive and insightful English-language trea

Heritage and History in the China–Australia Migration Corridor traces the material and social legacy of migration from China to Australia from the 1840s until the present day. The volume offers a multidimensional examination of the material footprint of migration as it exists in the migration corridor stretching between Zhongshan county in south China and Australia. Spanning the fields of heritage studies, migration studies, and Chinese diaspora history, Denis Byrne, Ien Ang, Phillip Mar, and other contributors foreground a transnational approach to the heritage of migration, one that takes account of the flows of people, ideas, objects, and money that circulate through migration corridors, forming intricate ongoing bonds between those who migrated to Australia and their home villages in China.

The pandemic left disorder and crises in its wake everywhere it struck. Drawing on disciplines including public health, politics, and socioeconomics, this book tracks the spread of COVID-19 to weave a coherent picture that explains how scientists learnt about the virus, how authorities reacted around the world, and how different societies coped. Written by a leading team of public health, policy, and economics experts, this volume provides an in-depth analysis of various countries’ responses to the onset of the pandemic, as well as suggestions to increase capacity and capability to fight future pandemics. The first part of the book provides an overview of global governance and international cooperation, economic and social consequences of the outbreak, and breakthroughs in mathematical modelling and COVID-19 vaccines. The second part of the book examines and compares specific countries and regions through the lens of good governance, social contract, and political trust. This book

With the increasing number of complaints and court cases relating to healthcare disputes, healthcare practitioners (HCPs) are now facing more challenges and dilemmas in their daily practices. This book is unique in that most chapters are written jointly by two authors: one with legal training and one with a healthcare background. The balanced view offered thus allows readers to gain a thorough understanding of the concepts presented. Although most of the examples and scenarios are specific to medical doctors, the basic principles and ethical considerations as well as the enforcement of laws and regulations are, with some modifications, equally applicable to other HCPs, such as dentists, nurses, midwives, etc. Readers interested in healthcare law and ethics from numerous fields and stages of training, including legal and healthcare practitioners, trainees, postgraduate researchers and undergraduate students, will find this book both informative and practical as an aid to their work and

◎根據學習者自身條件、生長環境，以及學習過程有關的各種原理，所發展出來的一套兒童教育理論。 ◎本書能使孩子的智力、情感以及人際關係，隨著成長和生理狀況的變化而不斷的同時發展。 ◎作者同時兼具法學博士、MBA、律師、會計師多種專業身分，中英對照，精闢解析。 The author is an attorney and C.P.A. Throughout his life, he has been questing and exploring common grounds for people and concluded that childhood education is the foundation for people, families, society, and the future of the world. He is very appreciative of the opportunities and education offered by society. In this book, he shares his principles of education as a giving back to society. 作者是位執業律師暨會計師。他一輩子在找尋人間的共通之處，得到兒童教育正是人們、家庭、社會及未來世界之基石的結論。他非常感激社會給他的教育和機會。在此書中分享了他的教育原理來回饋社會。 ●This book shows you ways to 這本書告訴你如何去 ‧Discover how people learn 發覺人們是怎麼學習的 ‧Guide our children 引導我們的孩子們 ‧Review effectiveness of education 檢討教育的效率 ‧Explore tools for education 探尋教育之工具 ‧Grow with children 與孩子們一起成長 ‧Introduce children to a wonder world 帶孩子們進入美妙的世界 Dedicated to parents, educators, learners, and leaders of the universes 獻給所有父母、老師、學生和領袖們

Grounded in a desire to bring back to life rare items from the University of Hong Kong’s Fung Ping Shan Library that are entwined within the world of music and to place them in a context of books and images in American, British, and other Asian collections, Chinese Music in Print views the library as a repository not of information but of artifact, and then uses these artifacts as a means for generating scholarly narrative. It begins by assessing seminal texts in the Confucian canon set against the delicacy of the concubine and amanuensis Shen Cai’s calligraphy and poetry. Confucianism was itself a crucial aspect of courtly life, and an exploration of its ritual is the book’s second theme. Vernacular genres of opera and song are represented in the third chapter, while the Great Sage returns in the fourth for an exploration of the repertoire and richness of his favourite instrument, the qin. The final chapter ends the journey with discussion of the legacy of generations of Europeans who

南台灣必遊景點 Nine Things One Must Experience in Southern Taiwan 藉由夜生活、藝術文創、客家文化、靜心之旅、海洋之美、原民文化、古蹟及生態之旅與台灣茶飲等九大主題，暢遊南台灣必遊景點。 The nine main things one must experience in southern Taiwan are: nightlife activities, art, Hakka culture, places suitable for tranquility and meditation, beautiful ocean views, aboriginal cultures, historic sites, ecological tours, and Taiwanese tea culture. 實用句型及詞彙 Useful Sentence Patterns and Vocabulary 依各單元主題，整理出最精華的句型及詞彙，讓學習者運用基本句型，替換詞彙，旅遊時能馬上派上用場。 Each unit deals with the most essential sentence patterns and vocabulary, so the reader can master basic sentence patterns and vocabulary substitution drills. These grammar exercises can be used immediately when traveling. 文化導覽深度遊 In-depth Guided Cultural Tours 針對各單元內容，延伸相關文化知識，滿足學習者需求，深度了解當地風土民情。 Each unit provides knowledge relevant to the needs of travelers, promoting a deeper understanding of local customs and cultures. 文化體驗動手做 Hands-on Cultural Experiences 透過實際活動操作，讓您更深入體驗當地的人文精神。例如 : 泡茶、書法體驗、彩繪紙傘、手作琉璃串珠、彩繪紙傘

A Contemporary History of the Chinese Zheng traces the twentieth- and twenty-first-century development of an important Chinese musical instrument in greater China.The zheng was transformed over the course of the twentieth century, becoming a solo instrument with virtuosic capacity. In the past, the zheng had appeared in small instrumental ensembles and supplied improvised accompaniments to song. Zheng music became a means of nation-building and was eventually promoted as a marker of Chinese identity in Hong Kong. Ann L. Silverberg uses evidence from the greater China area to show how the narrative history of the zheng created on the mainland did not represent zheng music as it had been in the past. Silverberg ultimately argues that the zheng’s older repertory was poorly represented by efforts to collect and promote zheng music in the twentieth century. This book contends that the restored “traditional Chinese music” created and promulgated from the 1920s forward—and solo zheng music in

◎ In the night sky, those shining stars may be in the past tense. Those dark may no longer be nothingness, but the distance is too far, and the light is still galloping. ◎ The thermal process is a part of the space state. The order is from the hot in the past to the cold in the future, and the direction is from the inside to the outside. ◎ The time order is from tomorrow to today to yesterday, that is from future to past. Time and space are reverse loops. So the direction of time is from outside to inside.

With the society developing, the legislators of education would naturally put more attention to special education in order to protect the minority and those neglected. The history of special education mirrors the social development of Macau, it is an important indicator of the status in Macau society, reflecting the cultural quality at present and predicting the prospects in the future.

歡迎來到Called To Work《職場使命》的精彩旅程,它將幫助你在工作中活出信心，享受神的5P祝福（Presence同在、Promises應許、Power能力、Provisions供應、Pleasant Surprises驚喜），體驗神在日常工作中的同工和介入。

歡迎來到Called To Work《職場使命》的精彩旅程,它將幫助你在工作中活出信心，享受神的5P祝福（Presence同在、Promises應許、Power能力、Provisions供應、Pleasant Surprises驚喜），體驗神在日常工作中的同工和介入。

Low-carbon tourism is an emerging issue of tourism industry and academia in recent years. Previous studies have provided us some reasons that tourists participate in low-carbon travel or not, however, these reasons are scattered in literature and not been integrated into the construct of low-carbon travel motivation or low-carbon travel constraint. Meanwhile, previous studies often designed low-carbon package tours through the perspective of operators, few studies have assisted independent tourists on how to save energy and reduce carbon in travel. Therefore, this book is focused into two parts. The purpose of one part is to draw on tourism related literature, to develop and test the Low-Carbon Travel Motivation and Constraint Scales. The purpose of the other part is to draw on tourism related literature, to develop and test the Low-Carbon Travel Behavior Scale.

In The Chinese Idea of a University: Phoenix Reborn, Rui Yang conceptualizes the cultural foundations of modern university development in Chinese societies. Instead of focusing on the uniqueness of the societies, this book aims to prove that one educational purpose could be fulfilled via many paths, and that most of the characteristics the university could be found in other institutions of higher learning. Citing the practices of four selected Chinese societies, Yang opposes the existence of an impassable chasm between Chinese and Western ideas of a university and argues that it is possible to combine Chinese and Western ideas of a university. Also, this book is one of the first in English to theorize the Chinese idea of a university. It links the historical events to the present, in a context of an enormous impact of Western academic models and institutions, from the beginning of modern universities in Chinese societies to the contemporary period.

Frontiers of Memory in the Asia-Pacific explores the making and consumption of conflict-related heritage throughout the Asia-Pacific region. Contributing to a growing literature on ‘difficult heritage’, this collection advances our understanding of how places of pain, shame, oppression, and trauma have been appropriated and refashioned as ‘heritage’ in a number of societies in contemporary East and Southeast Asia and Oceania. The authors analyse how the repackaging of difficult pasts as heritage can serve either to reinforce borders, transcend them, or even achieve both simultaneously, depending on the political agendas that inform the heritage-making process. They also examine the ways in which these processes respond to colonialism, decolonization, and nationalism. The volume shows how efforts to preserve various sites of ‘difficult heritage’ can involve the construction of new borders in the mind between what is commemorated and what is often deliberately obscured or forgotten. Tak

Initially based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs. While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other’s cultural creations, these zones of con

Initially based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs. While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other’s cultural creations, these zones of con

Based on a close reading of Japanese director Yasujiro Ozu’s extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics’ insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist demonstrates otherwise, revealing the director’s subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films’ structure and meaning. Ozu: A Closer Look guides the reader through Ozu’s early, silent films and his sound films made during Japan’s wars in Asia and the subsequent American Occupation, then takes up specific themes relevant to his later, better-known films. These themes include religion, gender, and the influence of traditional Japanese painting. Geist also examines the impact that Ozu’s films had on specific directors in Europe, America, and Japan. Intended for f

The Sinological Development Charitable Foundation (SDCF) aspires to help spread 5,000 years of cultural history embedded in the Chinese Classics as a fundamental basis for understanding Chinese civilization. To that end, every year since 2016, the SDCF has provided intensive summer programs by which means scholars from across the globe are brought together in situ (in Hong Kong, Macau, Taiwan, and mainland China) to learn together and share their research into some of the most important topics in Chinese Studies. Over the last five years (2016–2020), candidates representing nations from Africa, the Americas, Europe, the Middle East, Russia, and other parts of Asia have embraced the SDCF program and its goals. This compendium is published to mark the milestone of five comprehensive programs completed successfully. It includes a sample of the best research by program participants from around the world, along with personal reflections and reflections by professors and tutors allied with

In On Saving Face, Michael Keevak traces the Western reception of the Chinese concept of “face” during the past two hundred years, arguing that it has always been linked to nineteenth-century colonialism. “Lose face” and “save face” have become so normalized in modern European languages that most users do not even realize that they are of Chinese origin. “Face” is an extremely complex and varied notion in all East Asian cultures. It involves proper behavior and the avoidance of conflict, encompassing every aspect of one’s place in society as well as one’s relationships with other people. One can “give face,” “get face,” “fight for face,” “tear up face,” and a host of other expressions. But when it began to become known to the Western trading community in China beginning in the middle of the nineteenth century, it was distorted and reduced to two phrases only, “lose face” and “save face,” both of which were used to suggest distinctly Western ideas of humiliation, embarrassment, honor, a

內容簡介 ˙The learning goals that center on the thematic units are set in accordance with the language proficiency levels, established by the ACTFL ˙To Comply with the pedagogical principle of backward design to establish the teaching/learning goals for the intermediate learner of Chinese ˙Integrates into its thematic contents the ACTFL-defined, three mores of language uses as well the 5C concepts ˙Assist the learner to achieve holistic progress and to cultivate specific linguistic abilities of Chinese ˙The selecting of keywords/phrases in thetextbooks is greatly in line with vocabulary levels defined by the HSK and by the TOCFL. The regional difference in language uses between the two sides of theTaiwan Strait are also meticulously annotated in the textbooks In recent years, the background of learners has become diversified, and the number of self-study students of elementary Chinese is also increasing. On the pedagogical front, however, learning materials, found to be biased towards s

In Painting Architecture: Jiehua in Yuan China, 1271–1368, Leqi Yu has conducted comprehensive research on jiehua or ruled-line painting, a unique painting genre in fourteenth-century China. This genre relies on tools such as rulers to represent architectural details and structures accurately. Such technical consideration and mechanical perfection linked this painting category with the builder’s art, which led to Chinese elites’ belittlement and won Mongol patrons’ admiration. Yu suggests that painters in the Yuan dynasty made new efforts towards a unique modular system and an unsurpassable plain-drawing tradition. She argues that these two strategies made architectural paintings in the Yuan dynasty entirely different from their predecessors, as well as making the art form extremely difficult for subsequent painters to imitate.

In The First British Trade Expedition to China, Nicholas D. Jackson explores the pioneering British trade expedition to China launched in the late Ming period by Charles I and the Courteen Association. While utilizing the vivid and unique perspective of its commander, Captain John Weddell, this study concentrates on the fleet’s adventures in south China between Portuguese Macao and the provincial capital, Guangzhou (Canton). Tracing the obscure origins of Sino-British diplomatic and commercial relations back to the late Ming era, Jackson examines the first episodes of Sino-British interaction, exchange, and collision in the seventeenth century. His definitive narrative and original analysis constitute a groundbreaking study of early modern British initiatives and enterprise in the coastal areas of south China. The book begins by sketching the Tudor-Stuart historical background of British trade expansion in Asia before precisely reconstructing the voyages of East India Company and then

Games help drive engagement, achieve goals, and ultimately promote development within a group. As such, it is important for group facilitators to be equipped with game skills to ensure a lively, vibrant, and motivated atmosphere. This book includes four theoretical essays by experienced game facilitators regarding the concept, practice sharing, and application skills of group game facilitation, as well as a collection of 100 practical group games covering ice-breaking, mutual understanding, group cooperation, and problem solving. This list of games is built on the experiences and contributions of the author and social work students.

The present volume originates from “The Fourth Asian Translation Traditions Conference” held in Hong Kong in December 2010. The conference generated stimulating discussions relating to the richness and diversity of non-Western discourses and practices of translation, focusing on translational exchanges between non-Western languages, and the change and continuity in Asian translation traditions. Translation and Global Asia shows a rich diversification of historical and geographical interests, and covers a broad array of topics, ranging from ninth-century Buddhist translation in Tibet to twenty-first-century political translation in Malaysia. This collection is strikingly rich. Its authors deal with a wide range of topics in geographically diverse locations from India, Thailand, Japan, Korea, and the Philippines to different parts of China. They evoke different linguistic and historical contexts from ancient times right up to the contemporary period, and take a variety of approaches, st

Is the opinions agreed by the majority of experts necessarily correct? Is there any other way for the universe to be created besides the Big Bang? Why “potential energy” is described as extra energy? Is the speed of light the limit? What is space? What is time? Can an empty space really give rise to all things? This book offers a new perspective on the birth of the universe and gives you an insightful and unique explanation.

本书是国内外第一部英文版的关于中国书画欣赏、鉴定和评估的专业参考书。它主要面向对中国书画艺术有浓厚兴趣的爱好者与收藏家，具有实用性与专业性兼具的特点。在书中，作者根据自身多年的艺术研究经验，按照年代顺序，收录了由唐至清的中国书画艺术代表作品，从作者、艺术传承、书画特色、市场价值等方面对其进行剖析，在横向与纵向两个层面勾勒出中国书画的历程与特色。另外，书中对中国绘画艺术中的常规术语，如细描、晕染法、画派等均以中文和拼音标注，帮助读者在不懂中文的前提下学会发音，从而掌握其创作源泉、师承和个人特点。

Masculinity, fast-changing and regularly declared to be in the throes of crisis, is attracting more popular and scholarly debate in China than ever before. At the same time, Chinese literature since 1989 has been characterized as brimming with countercultural ‘attitude’. This book probes the link between literary rebellion and manhood in China, showing how male writers, as they critique the outcomes of decades of market reform, also ask the same question: how best to be a man in the new postsocialist order? In this first full-length discussion of masculinity in post-1989 Chinese literature, Pamela Hunt offers a detailed analysis of four contemporary authors in particular: Zhu Wen, Feng Tang, Xu Zechen, and Han Han. In a series of insightful readings, she explores how all four writers show the same preoccupation with the figure of the man on the edges of society. Drawing on longstanding Chinese and global models of maverick and marginal masculinity, and responding to a desire to retain

Set against the backdrop of regional and international post–Second World War tensions, Grounded at Kai Tak is the most comprehensive account of the complex legal struggle for ownership of 71 airplanes belonging to the two main Chinese airlines, which were stranded at Kai Tak airfield in Hong Kong at the end of the Chinese civil war. The resulting contest for possession of them took place in the courts and among politicians and diplomats on three continents. In the process, the struggle became entangled with the anti-communist policies of the United States in the emerging ‘Cold War’, British hopes for restoration of her pre-war commercial position in China, disagreements between nations about recognition of the new government in Peking, and the delicate balance that the colonial government of Hong Kong had to keep to preserve that colony’s interests. Merry tells the tale of this legal saga by weaving together archival documents and news reports of the day, revealing the international a

Tripitaka and his three disciples, Monkey, Pigsy, and Sandy, were chosen to undertake a pilgrimage to India, during which they came across all sorts of dangers and difficulties. This time, the Flaming Mountain blocked their way, and they needed a little help from the Princess Iron Fan and Bull Demon, well, parents of the Red Boy, who wanted to eat up Tripitaka and was just defeated by Monkey. Things never go smooth for them! My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

The Dragon King below the Jing River defied the orders of the Jade God of the Heavens and was executed. His ghost resented the Tang Emperor Taizong for not saving him, and dragged the Emperor to the Underworld. What would the Emperor see in the Underworld? Was he able to return to life? My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.