Beginning Database Design

Guide for Design, Installation, and Assessment of Post-installed Reinforcements sets out the installation, design, and assessment guidelines for post-installed reinforcements and fills a much-needed g

Tobias Klein explores applications of 3D printing in architecture, art, design and interactive media installations in order to create a fusion of contemporary CAD/CAM technologies built from natural m

Understanding how the Chinese writing system illustrates universal design features of writing and literacy learning, as well as how it differs from alphabetic literacy, has become one of the cutting e

Feng Shui practice has become an important reference for the planning and design of buildings, monuments and even entire cities. In fact Feng Shui is an evolved study of the natural and built environm

Both utilitarian objects and examples of textile design of wondrous beauty, Chinese rank badges were developed in the Ming and Qing dynasties to indicate the bearer’s station in the civil or military

Written in Stone by Polo Bourieau is an extraordinary exploration of how monumental sculpture transforms urban spaces into places of meaning and connection. From the ancient marble quarries of Carrara to the skyscrapers of Hong Kong or the bustling lanes of Chengdu, this richly illustrated book charts Polo’s creative journey, offering profound insights into the dialogue between sculpture, architecture, and community.Structured as an epic narrative inspired by Joseph Campbell’s monomyth theory, Polo’s sculptures become the protagonists of our common narrative of adventure, transformation, and identity. With reflections on the creative process and a conversation with urban planner and design writer Catherine Shaw, the book delves into the challenges and realities of creating public art in the dynamic landscapes of 21st-century China.Written in Stone offers a philosophical meditation on the power of art to shape our cities and ourselves. It invites readers—whether city planners,

This book tells the truly unique life story of Dr. John Maeda, a visionary leader in multiple fields and recipient of a City University of Hong Kong Honorary Doctorate. The book discusses Dr. Maeda’s most interesting experiences, from his childhood at his parents’ tofu factory in Seattle to his days as an MIT professor, a pioneering digital artist, Silicon Valley venture capitalist, and more. It is suitable for readers interested in art, design, technology, artificial intelligence, and theAsian immigrant family experience in the United States.

The COVID-19 pandemic was a global crisis that affected millions of lives and brought mental health challenges to the forefront. In Hong Kong, the situation was worsened by uniquely strict COVID-19 regulations, quarantine measures, and travel restrictions. The mental health issues associated with the pandemic did not end with the lifting of the mask mandate. On the contrary, the repercussions are only just beginning to surface and their impact will be felt for years to come.This eye-opening book tells the stories of ordinary Hongkongers who faced extraordinary challenges during the pandemic. Through a blend of first-person accounts, psychological insights, and hard data, it offers a compelling and accessible exploration of the toll that the COVID-19 pandemic has taken on mental health in Hong Kong.However, this book is not only a chronicle of suffering; it is also a guide to healing and hope. It offers practical advice on how to overcome the mental health issues caused by the pandemic,

Population ageing is a challenge to societies worldwide in terms of healthcare, social support, community infrastructure, and more. With one of the longest life expectancies in the world, Hong Kong will soon see a dramatic increase in the number of older residents together with a decrease in the old age dependency ratio. This book provides a timely examination of the current status and services available for Hong Kong’s ageing population in four key areas: general healthcare needs, such as health promotion and lifestyle modifications; specific healthcare needs, including care of chronic conditions and hip fractures; psychosocial needs for older people with intellectual disabilities and impairments, as well as the needs of their caregivers; and environmental and technological needs in relation to universal design, information and communication technology, and telehealth.Drawing from a wide range of experience in local professional settings combined with international best practices, the

Chen Hansheng was not only a pioneer of modern Chinese social science, remembered for the villagestudies he organized by teams of researchers in the 1930s. He was also a political operative whosecareer as an underground and aboveground Communist activist spanned the twentieth century andthe globe. This book draws on unique interviews, beginning in 1979, with Chen himself, his family andassociates, along with an exhaustive examination of documents, writings, and archives, to build arounded portrait of Chen, the man, and his world.‐‐‐‐‐‐‐‐‐‐‐‐‐‐“Stephen MacKinnon’s lifetime study of eminent social scientist and Communist Chen Hanshengmakes for an absorbing, thrilling, and illuminating read. This product of decades of researching Chen,and of years of discussions with him, MacKinnon shows us how one enterprising and creative scholarbecame dedicated to the cause, worked for it, and then ended his life sad and angry about whatbecame of the Chinese Communist Party in power.”—Hans van de Ven,

The book documents Hong Kong’s neon signs whilst taking on a historical, socio-cultural, and contextual study of visual culture around the city. It explores the inter-related components of neon signs, including each sign’s unique visual aesthetic and design, the history of craftsmanship and training, and how the streetscape relates to Hong Kong’s consumer culture.

In The Chinese Idea of a University: Phoenix Reborn, Rui Yang conceptualizes the cultural foundations of modern university development in Chinese societies. Instead of focusing on the uniqueness of the societies, this book aims to prove that one educational purpose could be fulfilled via many paths, and that most of the characteristics the university could be found in other institutions of higher learning. Citing the practices of four selected Chinese societies, Yang opposes the existence of an impassable chasm between Chinese and Western ideas of a university and argues that it is possible to combine Chinese and Western ideas of a university. Also, this book is one of the first in English to theorize the Chinese idea of a university. It links the historical events to the present, in a context of an enormous impact of Western academic models and institutions, from the beginning of modern universities in Chinese societies to the contemporary period.

Initially based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs.While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other’s cultural creations, these zones of conta

This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art.It first looks at the concept of “ink art,” describing how it meant different things to different people in the former colony and how these different meanings came to determine certain institutional choices made at the beginning of the 21st century. The following chapters are dedicated to issues related to the urban and rural contexts for art creation in Mainland China and Hong Kong. One chapter observes the ups and downs of the representations of cities in the history of the People’s Republic of China and how they have defined a certain idea of culture. Another looks at how Chinese cities have been exceptional centers of art creations over the last thirty to forty years through the example of Shenzhen where a vibrant art scene, albeit closely connected to Hong Kong which has b

In On Saving Face, Michael Keevak traces the Western reception of the Chinese concept of “face” during the past two hundred years, arguing that it has always been linked to nineteenth-century colonialism. “Lose face” and “save face” have become so normalized in modern European languages that most users do not even realize that they are of Chinese origin. “Face” is an extremely complex and varied notion in all East Asian cultures. It involves proper behavior and the avoidance of conflict, encompassing every aspect of one’s place in society as well as one’s relationships with other people. One can “give face,” “get face,” “fight for face,” “tear up face,” and a host of other expressions. But when it began to become known to the Western trading community in China beginning in the middle of the nineteenth century, it was distorted and reduced to two phrases only, “lose face” and “save face,” both of which were used to suggest distinctly Western ideas of humiliation, embarrassment, honor, a

To celebrate the 30th anniversary of City University of Hong Kong, CityUHK has published two commemorative works. These two titles feature unique perspectives intended for two different audiences by design. The Chinese volume, with touching stories of long-serving CityUHK colleagues and alumni, has personal aspects that will particularly appeal to the local community. The English version, focused on CityUHK's academic and research achievements and future developments, showcases the best parts of CityUHK for readers worldwide.為了慶祝香港城市大學成為大學三十周年，城大出版了中英文兩本校慶特刊，這兩本書各有不同的定位與讀者對象，展現出城大獨特的面貌。中文版記述了多篇城大關懷社區與改善社會環境的故事；英文版則記述城大學術和研究方面的成就及未來發展，向全球讀者展示城大的卓越表現。

China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during th

China―Art―Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during th

Presence於2004年出版了《Being Chinese in Architecture》的續集，重點介紹了Rocco Yim的14個建築項目，涵蓋了博物館，教育機構，公共圖書館，政府等，沒有人在香港建造的城市建築物比建築師Rocco Yim還要多。通過這些項目，本書還縱觀中國大陸，香港，深圳，廣州，博安，雲南，上海的城市建築，探討建築與城市規劃如何互相影響。
建築是從傳統的根源和根深蒂固的

The Property market has always been a major driving force behind Hong Kong's economy. By providing a quality living and working environment, property development plays a significant role for Hong Kong

「臨時性」構成香港都市設計裡相當重要的詞彙。在高度都市化的香港，城市面貌時刻在變動，變與適應成了我們的文化基因，並體現在街頭巷尾的布局與空間挪用。1976年起定居香港的Peter Cookson Smith是建築師及城市規劃師。他這輯街頭寫真記錄了香港不斷發展，當中不少流逝的景象已烙印為社會記憶的一部份。

This book follows on from the mapping and recording of the about 10,000 graves that make up the Hong Kong Cemetery for a database which will be held in the archives of the Hong Kong Memory Project and

Ikat Textiles of Timor offers an in-depth overview of regional textile styles from both West and East Timor, while also contributing significant new insights into their design traditions. In academic literature, the ikated men’s wraps from Timor have long been described as symmetrical. However, Dr Peter ten Hoopen’s examination of early examples from museums and private collections reveals that, historically, two thirds of these textiles were actually asymmetrical. This discovery challenges an academic consensus that has persisted since 1912, and highlights a previously overlooked level of creative ingenuity—inviting greater admiration for the women who wove these complex designs.Today’s ikat weavers on Timor, like many foreign scholars before them, seem unaware that asymmetry was once a dominant design principle. Many continue to assert that perfect symmetry has always been the tradition. Yet the historical textiles tell a different story. Ten Hoopen’s groundbreaking findings justify

In this new study, Peter ten Hoopen reveals levels of virtuosity in the work of Sumbanese textile artists that remained overlooked for over a century of Indonesian textile research. Their richly decorated men’s wraps, hinggi, have commonly been described as symmetric along both axes. But as ten Hoopen’s investigation at Leiden University uncovered, this supposed canon only survived because crucial design elements were overlooked. Sumba’s noble weavers managed to create asymmetry by hiding tiny visual elements that disrupted symmetry and were made to be overlooked. They exploited insights in the way we process visual information by simulating regularity, while deceitfully tying in elements that break it. Ironically, they were so good at hiding these design elements that they remained unnoticed for generations. This virtuosity was a product of Sumba’s competitive culture, suffused by an ancient headhunting ethos and marked by secrecy. As the artists strove to outsmart each other, natural

The coronavirus pandemic that broke out in 2019 has finally calmed down in China, after the bungling occasioned by the iron hand of lockdown. But beginning in March 2020, the disaster spread abroad, a

Salon Salon unfolds a narrative about Beijing’s art scene in the decade from the late Cultural Revolution to the beginning of the Reform and Opening-up period. It focuses on the continuous influence o

Since the beginning of the new century, Professor Jao has been furthering his techniques of lotus painting with modulation through brush method, coloration and even composition, many of which has not

The Buddha’s nirvana marks the end of the life of a great spiritual figure and the beginning of Buddhism as a world religion. Surviving Nirvana is the first book in the English language to examine how

“In these poems written over four decades, Louise Ho is from beginning to end a poet of Hong Kong, whether her subjects are local or cosmopolitan. She has a strong sense of place, a sharp and unillusi

Hong Kong, as a modern city famous of its tall buildings in Asia Pacific, has gone through remarkable changes in its building design and construction since 1970s. Building owners and occupants are now

This book is a study of the major events and publications in the world of translation in China and the West from its beginning in the legendary period to 2004, with special reference to works publishe

Beginning first as a case study of Feng Xiaogang, this book explores Chinese film history since the early 1990s in terms of changes of the Communist Party's film policy, industry reforms, the official

Beginning first as a case study of Feng Xiaogang, this book explores Chinese film history since the early 1990s in terms of changes of the Communist Party's film policy, industry reforms, the official

The formation of the Pan-Pearl River Delta regional framework in June 2004 heralded a new beginning of regional development in China. Massive in scale and innovative in approach, the regional grouping

As one of China's strategic coastal provinces, Fujian has traditionally played a vital role in the economic development and diplomacy of the country. Overseas Chinese, the Taiwan factor and the design

The Placemakers of Hong Kong pays homage to what local development companies, charitable organizations, as well as the government have been able to achieve in contributing to the enhancement of Hong Kong’s evolving urban and rural landscape. Far from being solely profit-driven, developers and urban planners have been vital to the community by creating and designing urban spaces for the public, increasing walkability, and embracing sustainable design—a process called ‘placemaking’. The book also recognizes that just as important are the subsequent placekeeping activities necessary to keep each project site relevant and up-to-date.Featuring five case studies from the past and one that examines the ambitious and far-reaching plans for the Northern Metropolis, this book tells the story of Hong Kong’s miraculous urban development over the past few decades.

2011年，作者出版了個人第一本首飾設計書《雅繪》，為人生帶出快樂的色彩。2024年再接再厲，編輯和出版《炫繪》，希望與大家分享更多靈感和創意。In 2011, Monita Choi published her first jewellery design book, Stroke of Grace to bring happiness that coloured her life.As the next stop, She edited and published Dazzling of Grace in 2024, in order to share more inspiration and creativity to everyone.

要充分了解戰後的香港，不能不認識公營房屋計劃對城市發展的深遠影響。第一型徙置大廈(一型徙廈)―香港公屋的原型―不只是遮風擋雨的補貼居所，更具有建築價值。首批一型徙廈於1954年落成，那麼二十世紀五十年代之前，香港的住房情況又是怎樣？1953年聖誕的石硤尾大火，是殖民政府開展公營房屋計劃的主因？如果一型徙廈只為安置大火後無家可歸的災民，為何公屋計劃持續進行？一型徙廈的建築設計跟當時普羅大眾居住的唐樓