Hungarian composer B幨a Bart鏦 declared his Cantata profana, composed in 1930 and premi鋨ed in London in 1934, his "credo," the composition of which was inseparable from the history of his involvement with folklore. Not only was Bart鏦 one of the twentieth century's most important composers, he was also one of the founders of comparative musicology, the precursor to the field of ethnomusicology. His collection and analytical studies of Hungarian, Romanian, and Slovak folk musics shaped his distinctive musical style, as well as complex scholarly publications. In this volume of the Studies in Musical Genesis, Structure, and Interpretation series, L嫳zl?Vik嫫ius, a leading authority on Bart鏦, uncovers the many layers of ethnographic, historical, and personal meaning embedded in the Cantata profana. The work's libretto was based on a Romanian folk ballad from his collection, and the mystical story of a hunter's nine sons who turn into stags--never to return home--was close to the composer's hear
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