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Hong Kong and Macau have both been Special Administrative Regions of China since 1999. To this day, however, the two SARs and mainland China have yet to form a cohesive agreement for extradition. Yanhong Yin proposes a theoretical model—the China Arrest Warrant—that fulfils three essential criteria: compliance with the framework of “One Country, Two Systems,” allowance for differences within the three divergent legal systems, and sufficient human rights protection.This model takes direct inspiration from the European Arrest Warrant, which is undergirded by the principle of mutual recognition—the idea that while states may make different decisions on a wide range of matters, results will be accepted as equivalent to decisions made by one’s own state. The success of the European Union’s adoption of mutual recognition across political, economic, and legal situations is instrumental in providing a blueprint for judicial cooperation among mainland China, Hong Kong SAR, and Macau SAR. This a

The Hong Kong Cemetery in Happy Valley is home to over 470 graves connected to the city’s Japanese population. Most of these graves belong to individuals who died during the Meiji era (1868–1912), a remarkable period of modernisation and opening up of Japan that saw thousands of its inhabitants travel to other parts of the world to study, work, and settle. Who were these people? What were they doing in Hong Kong? And why were unbaptised Japanese buried in what was called at one time the ‘Protestant Cemetery’?Hong Kong’s Meiji-era Japanese community was one of two halves. Company executives sat atop the social ladder and karayuki-san, or prostitutes, occupied the lower echelons, with tradespeople and professionals somewhere in between. By revealing the personal journeys of these mostly forgotten Japanese, the authors aim to add to transnational perspectives on Hong Kong and Japan during the late nineteenth and early twentieth centuries, as well as increase recognition of this fragmented

Most histories of Hong Kong begin with the arrival of the British, and only incidentally mention the precolonial eras. In this book, Patrick Hase, one of the leaders in the field, provides an important addition to the history of Hong Kong and the Pearl River Delta region, covering topics such as Chinese ethnicity, commerce, port-towns, and squatting. It is a truly excellent work that will interest historians, anthropologists, and social scientists.—James L. WatsonFairbank Professor of Chinese Society and Anthropology Emeritus,Harvard UniversityThis book, an historical and archaeological portrayal of Hong Kong market villages across the territory, depicts how Hong Kong evolved not through chronicles of emperors and governors but through the ups and downs of different centres of rural life over the centuries. It belongs beyond the bookshelves of historians and archaeologists—anyone wandering the streets of Hong Kong neighbourhoods today wondering “how did this place get to be here?” wil

This book examines the British cultural engagement with Hong Kong in the second half of the twentieth century. It shows how the territory fit unusually within Britain’s decolonisation narratives and served as an occasional foil for examining Britain’s own culture during a period of perceived stagnation and decline. Drawing on a wide range of archival and published primary sources, Hong Kong and British Culture, 1945–97 investigates such themes as Hong Kong as a site of unrestrained capitalism, modernisation, and good government, as well as an arena of male social and sexual opportunity. It also examines the ways in which Hong Kong Chinese embraced British culture, and the competing predictions that British observers made concerning the colony’s return to Chinese sovereignty. An epilogue considers the enduring legacy of British colonialism.

How did lay people in old China save their lives when dealing with acute or chronic health issues? Conventional medicine was costly and might not have been an option for many. Instead, people in villages and towns relied on remedies drawn from a woodblock-printed illustrated booklet called the Seventy-Two Therapies, first published in 1847. The goal of this book is to foster an appreciation of China’s long tradition of folk remedies. Each folk remedy is illustrated by a page from the circa 1860s woodblock edition of the Seventy-Two Therapies which the author used for translation. He also added a historical and interpretive analysis to expand on each therapy and to place it in the context of contemporary thinking, aiming at academics and readers interested in the everyday lives of common people in pre-1950 China, and in the folk medicine wisdom inherited from the past. ------------------------------------------------------------------------------- “The 72 specific disease

In Rosie Young: A Lifetime of Selfless Service, Moira Chan-Yeung presents a brief history of Professor Young’s remarkable career in medical education and administration at the University of Hong Kong (HKU) and her wide-ranging public service to the community over many decades. As the first female dean of HKU’s Faculty of Medicine, her career was deeply intertwined with the socio-economic development of Hong Kong. After her retirement from HKU, she continued to serve HKU and the community up to the present. This book illustrates her many contributions to the development of medical education in Hong Kong and to the university administration at HKU. Professor Young’s extensive public service in the field of medicine also helped improve primary care, hospital care, and public health in Hong Kong. In short, this book provides a valuable record of a female giant in Hong Kong’s medical history and documents her selfless and enduring service to the HKU community and Hong Kong society.

Health is not just the absence of disease.In an era when living to 100 is becoming more common,our concept of ageing must evolve. While Hong Kong people enjoy the world's longest life expectancy, an important question arises: Are we truly achieving healthy ageing? In this book, Professor Jean Woo addresses a diverse array of challenges associated with the elderly population in Hong Kong society, including issues like elderly poverty, unfriendly community designs, unfair stigmatization faced by seniors, and late-life loneliness. Drawing on extensive research and clinical experience, she advocates for self-care, education, and empowerment, encouraging us to move beyond dependence on doctors and medications. Ageing is inevitable, yet we can control how we age. --------------------------------------------------------------By 2046, 36% of Hong Kongers will be ‘older adults’. Take Charge of Your Own Ageing is a timely publication to remind our society about the significan

A behind-the-scenes look into the filming of The Last Emperor through the photographs of Basil Pao. The Last Emperor Revisited is a true behind-the-scenes look at the making of Bernardo Bertolucci's legendary film through the exquisite eye of a photographer who had unlimited access to everyone and everything, everywhere. The photographs feature an international cast of characters who contributed to the creation of the masterpiece, from the director, filmmakers, and actors, to the farmers, workers, and students in and around Beijing who were recruited as extras. In July 1986, Basil Pao joined the cast and crew for the filming of The Last Emperor. His principal role was to play the young emperor Pu Yi's father Prince Chun, but he also served as a third assistant director and special stills photographer. The book contains over 250 photographs, including some of Pao's most iconic images of the film, along with a treasure trove of "never-been-seen" pictures captured during filming in Beijin

How do public markets, as ordinary as they seem, carry the weight of a city’s history? How do sucheveryday buildings reflect a city’s changing political, social, and economic needs, through their yearslong transformations in forms, functions, and management? Integrating architecture and history, this book invites readers to go through the growth and governance of colonial Hong Kong by tracing the past and present of public markets as a study of extensive firsthand historical materials. As the readers witness the changes in Hong Kong markets from hawker pitches to classical market halls to clean modernist municipal complexes, the book offers a new perspective of understanding the familiar everyday markets with historical contexts possibly unfamiliar to most, studying markets as a microcosm of the city and a capsule of its history. -------------- This book is a robust and in-depth study of the market building history of Hong Kong since the 1840s and contributes to a holistic un

Eternal Transience, Enlightened Wisdom:Masterpieces of Buddhist Art contextualises thirtythree bronze statues and thangkas of deities and gurus in Tibetan Buddhism from Tibet, Nepal, Pakistan and Mongolia dating from the 6th–19th centuries.From an art historical perspective, these Himalayan masterpieces reflect an array of aesthetic and artistic traditions from neighbouring regions across the Indian subcontinent and Central Asia. The book provides a comprehensive analysis of the artworks’ iconography and material culture.As part of Buddhism’s eternal journey from India to the Himalayas, China and Japan, the religious icons and objects of daily religious practice remain a testament to the shifting cultures that have engaged with Buddhism over the millennia.Acknowledging such a state of transience highlights the enlightened wisdom of Tibetan Buddhism as portrayed through the various artworks.「如來一相：佛教藝術藏珍」展出藏傳佛教藝術品，包括銅像及唐卡。展品源自6至19世紀西藏、尼泊爾、巴基斯坦，甚至遠及蒙古。藝術史上，藏傳佛教藝術興於喜馬拉雅山脈一帶，承襲了印度次大陸及中亞地區的美

Grounded in a desire to bring back to life rare items from the University of Hong Kong’s Fung Ping Shan Library that are entwined within the world of music and to place them in a context of books and images in American, British, and other Asian collections, Chinese Music in Print views the library as a repository not of information but of artifact, and then uses these artifacts as a means for generating scholarly narrative. It begins by assessing seminal texts in the Confucian canon set against the delicacy of the concubine and amanuensis Shen Cai’s calligraphy and poetry. Confucianism was itself a crucial aspect of courtly life, and an exploration of its ritual is the book’s second theme. Vernacular genres of opera and song are represented in the third chapter, while the Great Sage returns in the fourth for an exploration of the repertoire and richness of his favourite instrument, the qin. The final chapter ends the journey with discussion of the legacy of generations of Europeans who

2023年，香港中文大學迎來六十周年校慶。值此重要時刻，當反思大學使命—「結合傳統與現代，融會中國與西方」的歷史意蘊與時代價值。大學圖書館藉此難得機會，舉辦紀念展覽，展示館藏中日益豐富的西方漢學珍本。 本圖錄記錄了展出的藏書，並一一簡述概況，涵蓋從十五至十九世紀中葉的書籍、地圖和手稿。珍藏之中不乏最優秀的早期漢學著作。其中許多作品均由利瑪竇、湯若望等知名耶穌會教士撰寫，他們縱然人數不多，但在深入接觸近代早期中國社會與文化的過程中，一手創立了近代漢學，留下了近距離觀察中國的珍貴記錄。隨著這些傳教士的著作傳回歐洲，關於中國的歐洲書籍愈加準確詳細，歐洲人對中國的了解也與日俱增。本圖錄透過豐富的圖像，以及細緻的介紹和描述，呈現出一幅生動的早期歷史圖景，展現西方對中國持久而深入的興趣和理解，以及中西淵源的交疊與關聯。透過本圖錄，讀者亦可藉此思索如何更好地「結合傳統與現代，融會中國與西方」。 In 2023, The Chinese University of Hong Kong celebrates the sixtieth anniversary of its foundation. This occasion provides a moment for reflection on the historical and contemporary meanings of the university’s mission “to combine tradition with modernity and to bring together China and the West.” To this end, the celebrations include an exhibition of the University Library’s burgeoning collection of Western rare books about China, which is recorded and contextualized in this catalogue. This splendid volume features books, maps, and manuscripts from the fifteenth to the mid-ni

A Contemporary History of the Chinese Zheng traces the twentieth- and twenty-first-century development of an important Chinese musical instrument in greater China.The zheng was transformed over the course of the twentieth century, becoming a solo instrument with virtuosic capacity. In the past, the zheng had appeared in small instrumental ensembles and supplied improvised accompaniments to song. Zheng music became a means of nation-building and was eventually promoted as a marker of Chinese identity in Hong Kong. Ann L. Silverberg uses evidence from the greater China area to show how the narrative history of the zheng created on the mainland did not represent zheng music as it had been in the past. Silverberg ultimately argues that the zheng’s older repertory was poorly represented by efforts to collect and promote zheng music in the twentieth century. This book contends that the restored “traditional Chinese music” created and promulgated from the 1920s forward—and solo zheng music in

紙紮世界是香港的縮影，反映了這座城市的嚮往、執迷和信念。134件紙紮品．中英雙語攝影文集看見極樂世界的衣食住行、吃喝玩樂捕捉薪火燒不盡的香港人情在紙紮的花花世界裏，祭品的形態和種類五花八門：日常用品從一把傘、一籠點心到一張八達通 ；抑或是億元紙鈔、豪華別墅與配備司機的轎車等奢侈品......祭祀者總能從林林總總的設計和款式中找到最切合逝者的祭品――每件紙紮品都代表著跨越陰陽的親密牽絆。紙紮世界也是香港的縮影，反映了這個城市的嚮往、執迷和信念。紙紮一件燒、一件現，化作煙縷穿越人間與冥界，在另一個國度建構一個更豐富多彩的香港。A bilingual photo book on Hong Kong's paper offerings for the afterlife•The world of paper offerings is a microcosm of Hong Kong that reflects the city's aspirations,obsessions and desires.•Featuring 134 paper offerings with texts in both Chinese and English.•Find everything you could want for a happy afterlife, from everyday needs to extravagantluxuries.•Capturing Hong Kong's undying love and devotion.Discover the fascinating and moving world of Hong Kong’s paper offerings for the afterlife. These carepackages for lost loved ones and ancestors in the next life include everything from creature comfortsand simple everyday needs, to extravagant luxuries and curious fancies. Individually, each offering is atouching manifestation

In On Saving Face, Michael Keevak traces the Western reception of the Chinese concept of “face” during the past two hundred years, arguing that it has always been linked to nineteenth-century colonialism. “Lose face” and “save face” have become so normalized in modern European languages that most users do not even realize that they are of Chinese origin. “Face” is an extremely complex and varied notion in all East Asian cultures. It involves proper behavior and the avoidance of conflict, encompassing every aspect of one’s place in society as well as one’s relationships with other people. One can “give face,” “get face,” “fight for face,” “tear up face,” and a host of other expressions. But when it began to become known to the Western trading community in China beginning in the middle of the nineteenth century, it was distorted and reduced to two phrases only, “lose face” and “save face,” both of which were used to suggest distinctly Western ideas of humiliation, embarrassment, honor, a

This volume presents the artistic work of Chun Wai created in France in the 1980s-1990s. Like the exhibition Adrift in Time―Photography by Chun Wai at the University Museum and Art Gallery, The University of Hong Kong, the publication has documentary value as a photographic record of the past and the passing of time.This physical and philosophical journey caused the artist to realize that his insights into the relationship suspended between predestination and chance were leading to an expansive form of loneliness―a state he felt was similar to the torment experienced by the ancient Chinese poets. Chun wandered the streets and alleys of great cultural centres like Paris discovering the collections of its great museums, art galleries and flea markets, along with the vast memories contained within, preserved and passed on through the course of time.此展覽目錄為秦偉 1990 年代於法國的藝術創作之結集，圖片記載著作者對過去及已流逝的時間的回溯，具有文本價值。透過這趟旅程，秦偉深悟人生乃在宿命與偶遇之間，頓感中國古代詩人飄泊孤寂之感。他遊走於文化之都 ― 巴黎，穿梭於街巷、博物館、美術館和跳蚤市場，浪遊於浩瀚的記憶和時間的長河。

he Genera of Orchidaceae in Hong Kong is a handy reference for both amateurs and professional botanists in Asia who wish to enter the field of modern orchidology. Orchid appreciation is an art deeply rooted in Asian cultures. But in 1977, when this book was first published, orchidology as a science was new to people there. The technical vocabulary was unfamiliar and the subject matter difficult to understand. Therefore, this volume was intended as a general, easy-to-use reference book, with illustrations of the basic structure of orchids and their habit and habitat clearly described in Chapter I.The book may also be used as a self-help guide for naturalists and gardeners in Hong Kong who wish to identify an orchid new to them. In Chapter II, keys, descriptions, and illustrations are given to allow the reader to look up and gain information about individual orchid species. Chapter III provides an analysis of the composition and an interpretation of the phytogeographic significance of th

Studies in Colloquial Chinese and Its History: Dialect and Text presents cutting-edge research into issues regarding prestige colloquial languages in China in their spoken forms and as well as their relationship to written forms and the colloquial literary language. These include the standard regional languages and prestige dialects of the past, the influence of historical forms of spoken Chinese on written Chinese, the history of guānhuà and the history of báihuà, proto-dialects and supra-regional common languages (koines), and their relationship to spoken dialects. The various studies in this collection focus on the dialect groups with the most substantial written tradition, including Mandarin, Wu, Min, and Cantonese, in north, central and eastern coastal, and southern China respectively. The contributors explore the histories of these dialects in their written and spoken forms, presenting a variegated view of the history and development of the regional forms, including their evoluti

Traversing from the rapidly urbanising county-level city of Fuqing to the remote mountainous kingdom of Lesotho in Southern Africa, Searching for Sweetness is one of the first and most extensive ethnographies linking rural-to-urban migration in China with Chinese migration to Africa. Against the backdrop of China’s national struggle for modernity and globalisation, Sarah Hanisch examines Chinese migrant women’s complex and ever-shifting struggles for upward social mobility across different generations and localities in China and Lesotho. Embedding the women’s individual portraits into larger historical contexts, Hanisch illustrates how these women interpret and narrate their migratory and everyday experiences through and beyond powerful state metanarratives on ‘sweetness’ and ‘bitterness’. In her exploration of migratory identities and projects that have been overlooked by previous studies, Hanisch brings uniquely gendered, multi-sited, and intergenerational perspectives to existing sc

Reverse paintings on glass occupy a special place in Chinese art, spanning the genres of glass working, export art, folk art, erotica, and meiren hua (paintings of beauties). Their unique appearance is the result of a challenging production process in which artists layer pigments in the reverse order of the normal painting procedure–highlights first, then mid-layers, and finally base colours. The final product is viewed in reverse from the opposite side of the glass, which must also be considered when creating the paintings. A product of the encounter between East and West, the manufacture of glass paintings in China was stimulated by European glass paintings brought to the imperial court by traders and diplomats in the seventeenth century. Initially made in Canton for Western consumers, by the eighteenth century their production had spread throughout China, with subjects and styles adapted to suit local tastes. The glass paintings in the Mei Lin Collection represent this later floweri

The fact that Snow did not sneak into “red China” to gather information constituting the basis of his Red Start over China all alone is in many instances isunderstood even by scholars.Mao Zedong’s biography has been the subject of an international mountain of commentary in China and elsewhere. Biographies praising Mao and those slandering him are all based on the American journalist Edgar Snow’s (1905–1972) account in Red Star over China for the route Mao traveled from early childhood through his youth.How the “Red Star” Rose introduces the image of Mao and the biographical information made known to the world through the publication of Red Star, and with its publication the circumstances which they fundamentally undermined. Ishikawa Yoshihiro uses Mao Zedong as raw material to examine from whence and how ordinary historical information and images which we habitually use unconsciously come into being.He desires to help readers to reconsider the historicity of the generation of not only

What does it mean to be queer in a Confucian society in which kinship roles, ties, and ideologies are of such great importance? This book makes sense of queer cultures in China—a country with one of the largest queer populations in the world—and offers an alternative to Euro-American blueprints of queer individual identity. This book contends that kinship relations must be understood as central to any expression of queer selfhood and culture in contemporary cultural production in China. Using a critical approach—“queering Chinese kinship”—Lin Song scrutinizes the relationship between queerness and family relations, and questions Eurocentric queer culture’s frequent assumption of the separation of queerness from blood family.Offering five case studies of queer representations across a range of media genres, this book also challenges the tendency in current scholarship on Chinese and East Asian queerness to understand queer cultures as predominantly counter-mainstream, marginal, and unde

A Touch of Zen is one of the first Chinese-language films to gain recognition in an international film festival (the Grand Prix at the 1975 Cannes Film Festival), creating the generic mould for the "crossover" success of Ang Lee's Crouching Tiger Hidden Dragon in 2000. The film has achieved a cult status over the years but little has been written about it. This first book-length study of the classic martial arts film therefore redresses its critical neglect, and explores its multi-leveled dimensions and mysteries. One of the central features of the film is the enigmatic knight-lady (xia nü) whose quest for revenge leads her to cross paths with a poor scholar whose interest in military strategy seals their alliance. Teo discusses the psychological manifestations and implications of this relationship and concludes that the film's continuing relevance lies in its portrait of sexuality and the feminist desires of the heroine. Teo also analyzes the film's form as an action piece and the dir

Service-learning is a form of experiential education that combines academic study with community service. Learning occurs as students work with others through applying their academic knowledge to comm

Helping students with learning difficulties has been a perennial issue in special education in Hong Kong. The authors address in this book the important questions in the field with reference to the Ho

Learning and Teaching in the Chinese Classroom provides an essential starting point for understanding the contexts of learning and teaching in the Chinese classroom. Drawing upon recent research in Ho

Whereas in previous decades autonomous, self-directed or ‘independent’ learning may have been assumed to be an alternative to classroom learning, the emphasis has now shifted to the point where learne

A unique feature of Learning Diversity in the Chinese Classroom is its Chinese context for meeting the educational requirements of children with special needs. At a time when many of the currently ava

A unique feature of Learning Diversity in the Chinese Classroom is its Chinese context for meeting the educational requirements of children with special needs. At a time when many of the currently ava

e-Learning Initiatives in China provides research and application insights into e-learning in China, in the light of two drives by the Chinese Ministry of Education: to implement curriculum reform and

e-Learning Initiatives in China provides research and application insights into e-learning in China, in the light of two drives by the Chinese Ministry of Education: to implement curriculum reform and

How Assessment Supports Learning: Learning-oriented Assessment in Action invites teachers in higher education to rethink the purposes of assessment and to revise their assessment practices in the inte

The main objective of this book is to familiarize the reader with a subset of the learning difficulties and common errors in ESL/EFL pronunciation and lexico-grammatical structures encountered by Chin

Assessment is an important part of effective teaching and learning. It allows achievements to be recognized and helps both teachers and learners to reflect on and review their performance and progress

Talk Mandarin Today is a practical guide for beginners learning Mandarin Chinese as a second language. With the busy reader in mind, each lesson aims to bring fast acquaintance to certain basic of the

This book describes a three-year research project which built on students’ learning experience, and addresses the issue of individual differences in mainstream primary schools in Hong Kong. The Learni

Learning Chinese Language and Culture is an intermediate-level textbook intended to be used throughout the entire school year and designed mainly for students who have completed introductory courses o

Staging Revolution refutes the deep-rooted notion that art overtly in the service of politics is by definition devoid of artistic merit. As a prominent component shaping the culture of the Cultural Re

Whereas in previous decades autonomous, self-directed or 'independent' learning may have been assumed to be an alternative to classroom learning, the emphasis has now shifted to the point where learne

More than ever, schools are regarded as a learning community in which its leaders, and therefore the school's primary agents of change, are expected to stay abreast of the latest developments in educa