Discrete-Event Simulation

The Cultural Revolution, which occurred between 1966 and 1976, was a major unforgettable event in modern Chinese history. For more than thirty years, the prevalent view of the Cultural Revolution in t

The Classic of Poetry (Shijing), also known as the “Mao Poetry” (Mao Shi), is the oldest existing collection of poetry in China, or indeed anywhere in the world. As a fountainhead of the Chinese literary tradition, it has endured over two and a half millennia of continuous readership. In this volume, eminent sinologist Edward L. Shaughnessy presents a complete English translation of the 305 discrete poems from the Classic of Poetry, divided into the Feng 風“ Ya 雅“ and Song 頌“ Combining the received text with newly unearthed manuscript discoveries, Shaughnessy offers a modern, authoritative interpretation that departs from the dated translations of earlier scholars. His masterful rendering encapsulates the essence of this poetic treasury, reflecting the diverse aspects of life, love, nature, and ritual in ancient China.--------------------------------------------------------------------------------------------------------------Professor Shaughnessy’s translation of the Classic of Poetry

Prof. William S-Y. Wang, an eminent linguist, has made significant contributions to the field regarding lexical diffusion, experimental phonetic studies, language simulation and modeling, and aging and language. To celebrate his 90th birthday, colleagues and friends worldwide have contributed over 30 articles to a two-volume Festschrift. The English volume includes topics such as Chinese language evolution, the relationship between language and music, and the brain processes involved in language production. This Festschrift is written by and for experienced language researchers and is also suitable for students of Chinese linguistics and those interested in Chinese culture, history, and neurology.

On 1 July 2003, more than half a million people took to the streets of Hong Kong to protest against the Article 23 legislation and to demand democracy. The events attracted much international media at

Although the arts have been firmly planted in the Hong Kong school system since the 1950s, they are often sacrificed in place of core subjects and preparation for examinations. Drawing on over fourteen years of exploration and experience, Yau makes the case that arts are critical to cultivating creative mindsets, which are our best resource for innovating and responding to challenges in this complex world of sudden changes. Through case studies and conversations with practising artists and educators, this book demonstrates why arts and education, two normally discrete disciplines, should be broadly integrated into the local Hong Kong curriculum, and how this can be – and has been – achieved.This book is intended for policymakers, educators, arts heads, and artists. The volume will also appeal to readers curious about how and why the arts should be foundational to education and capacity building in the twenty-first century.

The University Museum and Art Gallery collaborates with Chen Xi on the exhibition Chen Xi: So We Remember. This catalogue accompanies the exhibition. The paintings illustrate important events that have shaped our modern world. The artist created this series of contemporary images to commemorate, to document and to provoke thought. The show presents her preliminary pen and watercolour drawings along with the finished oil paintings. Meticulous in her research and true to both the documented incident and the domestic details, Chen Xi creates historical paintings for our present and future generations. Her method directly relates to contemporary life and to a society that is informed and influenced by modern-day media. Interestingly, the painter does not simply depict a historic event, but frames within a TV screen each episode of her sequential and international narrative. By presenting the paintings within the TV’s glass, they become screen shots linked to a specific moment in time and s

Erich Lessing: The Pulse of Time includes documentary images from the pinnacle of Lessing's career in the 1950s and 1960s, which illustrate the journalist's ability to be working in the right place at the right time. Lessing reported on many of the most significant political event in post-war Europe and his, now historical, photographs record social and economic change in ever developing societies in both Eastern and Western Europe. 《埃里希．萊辛：時代脈搏》囊括了萊辛創作於二十世紀五、六十年代事業高峰期的紀錄影像，該系列作品彰顯了他作為記者對於時代及現場的把握能力。萊辛報道了許多戰後歐洲的重大政治事件，而他的這些現已被賦予了歷史性意義的影像作品，也成為不斷發展的東西歐社會及經濟變遷的見證。