Girls Lean Back Everywhere

St. Stephen’s Girls’ College is one of the many schools run under the auspices of the Anglican Church in Hong Kong. Starting as a tiny missionary school for upper-class Chinese girls and their younger

Promoting All-Round Education for Girls presents the history of Heep Yunn School, one of the oldest girls’ schools in Hong Kong. Amalgamated from two British mission schools founded in the 1880s for d

BY 1945, EVERYWHERE ONE LOOKED IN THE FAR EAST THE BRITISH EMPIRE WAS BEING OPENLY QUESTIONED OR WAS FAILING OUTRIGHT. YET IN THE PREVIOUS CENTURY, THE BRITISH HAD BEEN THE PRE-EMINENT IMPERIAL POWER

Tracing its origins back to 1822 in Whampoa, the Mariners’ Club in Hong Kong was established to meet a specific need for an Anglo-Chinese society defined by that most dubious of activities, seafaring.

When Marshal Hong breaks the seals which generations of Taoist Masters have placed on the temple doors to hold back 108 incarcerated Demon Princes, powerful forces of disorder are released. One after

This book offers a glimpse into the wide-ranging 50-year career of the internationally renowned Hong Kong photographer/designer through his work in collages and photomontages. From his early album covers when he was an art director/designer for the music industry in New York, Los Angeles and London in the 1970’s, through his diverse international assignments and personal works, to his most recent exhibition in Hong Kong. The story encompasses the long journey from cut-and-paste collages to the computer-composited photomontages of dreamscapes in this Carnival of Dreams.In his introduction titled ‘The Man from Everywhere’, Pico Iyer writes: “For decades now, Basil Pao has been the global eye through which I’ve taken in almost every country, as clearly as the world within… I never know where to place Basil; I can’t get my head around him. Album-designer, loving father, covert Chan master—21st century Renaissance man—Basil is always bringing the many worlds inside him together to create so

A behind-the-scenes look into the filming of The Last Emperor through the photographs of Basil Pao. The Last Emperor Revisited is a true behind-the-scenes look at the making of Bernardo Bertolucci's legendary film through the exquisite eye of a photographer who had unlimited access to everyone and everything, everywhere. The photographs feature an international cast of characters who contributed to the creation of the masterpiece, from the director, filmmakers, and actors, to the farmers, workers, and students in and around Beijing who were recruited as extras. In July 1986, Basil Pao joined the cast and crew for the filming of The Last Emperor. His principal role was to play the young emperor Pu Yi's father Prince Chun, but he also served as a third assistant director and special stills photographer. The book contains over 250 photographs, including some of Pao's most iconic images of the film, along with a treasure trove of "never-been-seen" pictures captured during filming in Beijin

This book offers a glimpse into the wide-ranging 50-year career of the internationally renowned Hong Kong photographer/designer through his work in collages and photomontages. From his early album covers when he was an art director/designer for the music industry in New York, Los Angeles and London in the 1970’s, through his diverse international assignments and personal works, to his most recent exhibition in Hong Kong. The story encompasses the long journey from cut-and-paste collages to the computer-composited photomontages of dreamscapes in this Carnival of Dreams.In his introduction titled ‘The Man from Everywhere’, Pico Iyer writes: “For decades now, Basil Pao has been the global eye through which I’ve taken in almost every country, as clearly as the world within… I never know where to place Basil; I can’t get my head around him. Album-designer, loving father, covert Chan master—21st century Renaissance man—Basil is always bringing the many worlds inside him together to create so

The pandemic left disorder and crises in its wake everywhere it struck. Drawing on disciplines including public health, politics, and socioeconomics, this book tracks the spread of COVID-19 to weave a coherent picture that explains how scientists learnt about the virus, how authorities reacted around the world, and how different societies coped. Written by a leading team of public health, policy, and economics experts, this volume provides an in-depth analysis of various countries’ responses to the onset of the pandemic, as well as suggestions to increase capacity and capability to fight future pandemics. The first part of the book provides an overview of global governance and international cooperation, economic and social consequences of the outbreak, and breakthroughs in mathematical modelling and COVID-19 vaccines. The second part of the book examines and compares specific countries and regions through the lens of good governance, social contract, and political trust. This book is e

杜甫一生的虛構自傳一個穿越了多個時代、多場戰火、多種語言的杜甫，帶著他的多重身影重返我們的生活現場。— 西川「世界偉大的隨筆家之一 」——《紐約時報》「一位隱蔽的文學領袖」My favorite essayist is Eliot Weinberger.His remarkable breadth of calm concern is impressive.—Gary Snyder (Pulitzer Prize Winner, 1975)­This is a book concerned with mortality, friendship, and regret.­The psyche looking back at its life. As such, The Life of Tu Fu sometimes feels like a poetic biography of my own life, or maybe yours.—Forrest Gander (Pulitzer Prize Winner, 2019)溫伯格巧妙地運用拼貼手法，從杜甫一千多首浩瀚的詩歌中擷取靈感，將其詩句、意象與情感重新編織成五十八首全新的詩篇。這些詩篇猶如一幅幅流動的畫卷，描繪出杜甫顛沛流離的一生，以及他所經歷的戰亂與瘟疫。儘管時空相隔千年，但在後疫情時代，我們或許更能體會杜甫詩歌中那種深刻的孤獨與蒼涼。這部作品不僅是對杜甫一生的致敬，也是對我們自身、對苦難和對人生短暫易逝的反思。Drawing inspirations from a vast oeuvre of more than a thousand poems, Eliot Weinberger has deftly composed a montage of ­fifty-eight poems derived and adapted from the lines, images, and feelings in Tu Fu’s poetry. These poems weave a tapestry of Tu Fu’s turbulent life and times of war and disaster.In the post-pandemic era, we may appreciat

ONE OF THE MOST SPOKEN DIALECTS in China, Southeast Asia, and globally, Cantonese was nevertheless deemed a local dialect enjoying little prestige among the intellectuals. Not much was recorded in official documents or gazetteers about the early history of Hong Kong. The Cantonese language and its origin remained much of a mystery until the mid-20th century when scholars started to accord it with increasing attention. Thanks to dedicated efforts of early missionaries, pedagogues, and linguists, we can now trace back the evolution of modern Cantonese since the 19th century— how differences in sounds, words, and grammar distinguish the old from contemporary speech today. In this book, Hung-nin Samuel Cheung, an acclaimed scholar on the study of Cantonese, offers profound insights to various firsthand century-old materials including language manuals, Bible translations, and maps of Hong Kong, with findings that will be useful for ongoing efforts to study the development of

Grounded in a desire to bring back to life rare items from the University of Hong Kong’s Fung Ping Shan Library that are entwined within the world of music and to place them in a context of books and images in American, British, and other Asian collections, Chinese Music in Print views the library as a repository not of information but of artifact, and then uses these artifacts as a means for generating scholarly narrative. It begins by assessing seminal texts in the Confucian canon set against the delicacy of the concubine and amanuensis Shen Cai’s calligraphy and poetry. Confucianism was itself a crucial aspect of courtly life, and an exploration of its ritual is the book’s second theme. Vernacular genres of opera and song are represented in the third chapter, while the Great Sage returns in the fourth for an exploration of the repertoire and richness of his favourite instrument, the qin. The final chapter ends the journey with discussion of the legacy of generations of Europeans who

This pocket-sized paperback is one of the twenty-four titles published for 2017 Hong Kong International Poetry Nights. The theme of IPHHK2017 is “Ancient Enmity”. IPNHK is one of the most influential

INTRODUCTIONThe role of media in any society is vital and is closely related to brands and consumption especially in a vibrant 21st century Asian city. Hong Kong with its free-market economy and urban

In Daily Giving Service: A History of the Diocesan Girls’ School, Hong Kong, Moira M. W. Chan-Yeung and her fellow contributors present a comprehensive history of one of Hong Kong’s oldest girls’ schools. As an alumna of the school, Chan-Yeung traces the history of her alma mater from its establishment in 1860, to its development over the last 160 years until the recent decade. Having experienced stability and turbulences in Hong Kong in the twentieth century, the school has become one of the most prominent girls’ schools in the city. In several chapters written by other alumnae, various aspects of school life of different eras are reconstructed and remembered.The author and other contributors focused on the postwar era in which Hong Kong grew from a small city to a global metropolitan. The expansion of the Diocesan Girls’ School largely followed this trend. The history of the school has also long been connected with the socio-economic development of Hong Kong society, sharing its happ

Promoting All-Round Education for Girls presents the history of Heep Yunn School, one of the oldest girls’ schools in Hong Kong. Amalgamated from two British mission schools founded in the 1880s for d

Art, politics, and commerce are intertwined everywhere, but in China the interplay is explicit, intimate, and elemental, and nowhere more so than in the film industry. Understanding this interplay in

Art, politics, and commerce are intertwined everywhere, but in China the interplay is explicit, intimate, and elemental, and nowhere more so than in the film industry. Understanding this interplay in

The Chinese Catholic Church traces its living roots back to the late sixteenth century and its historical roots back even further, to the Yuan dynasty. This book explores paintings and sculptures of t

Leung Ping-kwan (梁秉鈞), better known under his pen name Ye Si (也斯), is an internationally known Hong Kong poet. This book brings back into print 40 bilingual poems from one of Hong Kong's most beloved

This weighty monograph offers a thoughtful assessment of one of globally raising China s most profound political issues democratization since the 1989 Tiananmen Incident. Not exactly a looking back re

Archaeological investigation began in Hong Kong in the 1920s and showed that the territory had a considerable prehistoric occupation, now known to extend back at least 7,000 years. Sites abound on out

Archaeological investigation began in Hong Kong in the 1920s and showed that the territory had a considerable prehistoric occupation, now known to extend back at least 7,000 years. Sites abound on out

Has China in the 1980s gone through a phase of "youth rebellion" comparable with that represented in films such as Rebel Without a Cause (1954), Look Back in Anger (1959) or Easy Rider (1969)? The pre

As China has evolved into an industrial powerhouse over the past two decades, a new class of workers has developed: th dagongmei, or working girls. The dagongmei are women in their late teens and earl

The British rule in Hong Kong ended in 1997 and it is now both timely and intellectually inspiring to look back at the last twenty-five years of the British rule, when Hong Kong was transformed from a

Chloe Chan is just about to give up on finding any real scholars at University when she starts to hear the rumours about Professor Roland Crannus. Spoken about in the whispers of conspiracy, the enigm

The number 8 plays a crucial role in mythology. In Asian art this can be seen in the 8 trigrams of the I Ching, the 8 Immortals, the 8 Buddhist symbols and the 8 Auspicious symbols. These interrelated elements are often depicted as a group of 8 in the form of a serial narrative, which are supplemented by motifs of pairs, figures or scenes from stories, landscapes, plants, flowers, animals, ornaments and symbols.To illustrate this point, nine objects—each consisting of eight sections or eight motifs—were selected from the UMAG collection. The items, including an eight-part panel with silk painting, each demonstrate the diversity and richness of serial narratives in Chinese art and craftsmanship. In addition to the narrative structure, these eight-part objects can be understood as components of superordinate systems. In the microcosm of their diverse details, they refer to the macrocosm of mythology, which results in a network of relationships that continuously refer back to one another.

In The First British Trade Expedition to China, Nicholas D. Jackson explores the pioneering British trade expedition to China launched in the late Ming period by Charles I and the Courteen Association. While utilizing the vivid and unique perspective of its commander, Captain John Weddell, this study concentrates on the fleet’s adventures in south China between Portuguese Macao and the provincial capital, Guangzhou (Canton). Tracing the obscure origins of Sino-British diplomatic and commercial relations back to the late Ming era, Jackson examines the first episodes of Sino-British interaction, exchange, and collision in the seventeenth century. His definitive narrative and original analysis constitute a groundbreaking study of early modern British initiatives and enterprise in the coastal areas of south China. The book begins by sketching the Tudor-Stuart historical background of British trade expansion in Asia before precisely reconstructing the voyages of East India Company and then

Amidst the reshaping of Hong Kong’s social, cultural, political and ideological landscape, how do we reenvisage a city that exists in our memories? For those who have left their hometown―or the place they once called home―the question, “What does it mean to be a Hongkonger?” marks a constant shift between conflicting realities, identities and perceptions. Beyond the act of remembering, how do we reimagine our relationship with Hong Kong in the present and the future? In this collection of prose, poetry and photography by eighteen writers and artists, we see a gathering of reflections on the profound changes and subtle transitions that have transpired in Hong Kong, both in recent times and over the past decades.