Introduction To The Geometry Of Complex Numbers

The award-winning illustrator Grady Klein has paired up with the world’s only stand-up economist, Yoram Bauman, PhD, to take the dismal out of the dismal science. From the optimizing individual

This loose-leaf, three-hole punched version of the textbook gives students the flexibility to take only what they need to class and add their own notes–all at an affordable price. For introd

Written over 400 years ago, Introduction to the Devout Life is still one of the most popular books for those pursuing holiness. St. Francis de Sales explains how to turn that desire for sanctity into

Water is the resource that will determine the wealth, welfare, and stability of many countries in the twenty-first century. This book offers a new approach to managing water that will overcome the con

It is important and useful to have a text on the Lebesgue theory that is accessible to bright undergraduates. This is such a text. Going back to the days of Isaac Newton and Gottfried Wilhelm vo

As no sensible person would make a long road trip without first consulting a map, so the person intent upon gaining Heaven should first resort to a competent guide to reach that Goal of all goals. And

This Introduction - an indispensable 'how to' guide for students and teachers alike - investigates the methods and aims of historical study in the performing arts, from archival research to historical writing. Beginning with case studies on Shakespearean theatre and avant-garde theatre, this study examines fundamental procedures and problems in documentary history and cultural history. It demonstrates how historians not only construct various kinds of performance events but also place them in relation to the historical agents, the political and social conditions, artistic traditions, audience responses, and historical periods. Drawing upon scholarship in classics, literary studies, art history, performance studies, and general history, Postlewait shows how to ask appropriate historical questions, construct evidence, use plays as historical documents, eliminate faulty sources, challenge unreliable witnesses, and develop historical arguments and narratives. The book concludes with a surv

This Introduction - an indispensable 'how to' guide for students and teachers alike - investigates the methods and aims of historical study in the performing arts, from archival research to historical writing. Beginning with case studies on Shakespearean theatre and avant-garde theatre, this study examines fundamental procedures and problems in documentary history and cultural history. It demonstrates how historians not only construct various kinds of performance events but also place them in relation to the historical agents, the political and social conditions, artistic traditions, audience responses, and historical periods. Drawing upon scholarship in classics, literary studies, art history, performance studies, and general history, Postlewait shows how to ask appropriate historical questions, construct evidence, use plays as historical documents, eliminate faulty sources, challenge unreliable witnesses, and develop historical arguments and narratives. The book concludes with a surv

Written by a global team, this up-to-date introduction to applied linguistics helps students learn what it's like to do applied linguistics, and not just read about theoretical concepts. First, it provides frameworks for understanding both the shared characteristics of work in applied linguistics and the diversity of topics and analyses. Each chapter then highlights a topic area, covering key concepts, a specific project undertaken by the authors, and their personal reflections on entering the field. Hands-on analysis and other application activities also encourage students to test different skills related to each chapter. Finally, students are introduced to the tools they need to continue in applied linguistics: how to read and write empirical research, how to evaluate primary literature, and starting points for expanding their interest in specific subject areas. The authors provide examples from different geographical regions and languages to engage an international audience. At the

Written by a global team, this up-to-date introduction to applied linguistics helps students learn what it's like to do applied linguistics, and not just read about theoretical concepts. First, it provides frameworks for understanding both the shared characteristics of work in applied linguistics and the diversity of topics and analyses. Each chapter then highlights a topic area, covering key concepts, a specific project undertaken by the authors, and their personal reflections on entering the field. Hands-on analysis and other application activities also encourage students to test different skills related to each chapter. Finally, students are introduced to the tools they need to continue in applied linguistics: how to read and write empirical research, how to evaluate primary literature, and starting points for expanding their interest in specific subject areas. The authors provide examples from different geographical regions and languages to engage an international audience. At the

Postmodern fiction presents a challenge to the reader: instead of enjoying it passively, the reader has to work to understand its meanings, to think about what fiction is, and to question their own responses. Yet this very challenge makes postmodern writing so much fun to read and rewarding to study. Unlike most introductions to postmodernism and fiction, this book places the emphasis on literature rather than theory. It introduces the most prominent British and American novelists associated with postmodernism, from the 'pioneers', Beckett, Borges and Burroughs, to important post-war writers such as Pynchon, Carter, Atwood, Morrison, Gibson, Auster, DeLillo, and Ellis. Designed for students and clearly written, this Introduction explains the preoccupations, styles and techniques that unite postmodern authors. Their work is characterized by a self-reflexive acknowledgement of its status as fiction, and by the various ways in which it challenges readers to question common-sense and commo

Postmodern fiction presents a challenge to the reader: instead of enjoying it passively, the reader has to work to understand its meanings, to think about what fiction is, and to question their own responses. Yet this very challenge makes postmodern writing so much fun to read and rewarding to study. Unlike most introductions to postmodernism and fiction, this book places the emphasis on literature rather than theory. It introduces the most prominent British and American novelists associated with postmodernism, from the 'pioneers', Beckett, Borges and Burroughs, to important post-war writers such as Pynchon, Carter, Atwood, Morrison, Gibson, Auster, DeLillo, and Ellis. Designed for students and clearly written, this Introduction explains the preoccupations, styles and techniques that unite postmodern authors. Their work is characterized by a self-reflexive acknowledgement of its status as fiction, and by the various ways in which it challenges readers to question common-sense and commo

Despite its indifferent reception when it was first published in 1851, Moby Dick is now a central work in the American literary canon. This introduction offers readings of Melville's masterpiece, but it also sets out the key themes, contexts, and critical reception of his entire oeuvre. The first chapters cover Melville's life and the historical and cultural contexts. Melville's individual works each receive full attention in the third chapter, including Typee, Moby Dick, Billy Budd and the short stories. Elsewhere in the chapter different themes in Melville are explained with reference to several works: Melville's writing process, Melville as letter writer, Melville and the past, Melville and modernity, Melville's late writings. The final chapter analyses Melville scholarship from his day to ours. Kevin J. Hayes provides comprehensive information about Melville's life and works in an accessible and engaging book that will be essential for students beginning to read this important auth

Despite its indifferent reception when it was first published in 1851, Moby Dick is now a central work in the American literary canon. This introduction offers readings of Melville's masterpiece, but it also sets out the key themes, contexts, and critical reception of his entire oeuvre. The first chapters cover Melville's life and the historical and cultural contexts. Melville's individual works each receive full attention in the third chapter, including Typee, Moby Dick, Billy Budd and the short stories. Elsewhere in the chapter different themes in Melville are explained with reference to several works: Melville's writing process, Melville as letter writer, Melville and the past, Melville and modernity, Melville's late writings. The final chapter analyses Melville scholarship from his day to ours. Kevin J. Hayes provides comprehensive information about Melville's life and works in an accessible and engaging book that will be essential for students beginning to read this important auth

This is a unified treatment of the various algebraic approaches to geometric spaces. The study of algebraic curves in the complex projective plane is the natural link between linear geometry at an und

De Sales’ classic has been described as “a masterpiece of psychology, practical morality, and common sense” and, after The Bible and The Imitation of Christ, is the widest read spiritual book of all t